Showing posts with label M/F. Show all posts
Showing posts with label M/F. Show all posts

Monday 16 January 2017

#DisabilityDiaries2017 | Review! - Unspeakable by Abbie Rushton



Unspeakable title image




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Title: Unspeakable
Unspeakable book cover
Author: Abbie Rushton

Genre: Young Adult, Contemporary, LGBTQ+ (M/F; F/F)


Amazon: UK - USA





A few starting notes:

If anyone with, or with first-hand experience of, selective mutism or OCD, has reviewed this book, please let me know - I'd love to leave a link to your review.

I'm not sure how I feel about this book.

There were parts of it I truly loved and parts which... I just wasn't comfortable with. There are a lot of problems with this book.

So prepare yourself nerdlets, we're gonna discuss some sh**.

(Seriously, if you need the loo or whatever, go now and come back, because once I've started I'm not stopping.)





Premise:

Megan hasn't spoken in months. Because there are things people don't know - things about the day when everything changed, the day she stopped talking.

But then Jasmine started at school. Beautiful, bright, bubbly, Jasmine... and for the first time in a long while, Megan might just want to talk again.





Best bits:

I loved that Megan's problems aren't simple.

Too often, depictions of mental health problems are put down to textbook examples, and left there.

The truth is that everyone's problems affect them differently, and that sometimes conditions combine to have a joint effect on someone's life.

I also liked Jasmine - I've seen a lot of criticism of her character, but I liked her. Yes, she's pretty idealised. But she's also not perfect.

And, honestly, the hope that there are people like her in the world - people who will accept you as you are - is not a bad thing. If you're a queer teen, and/or a teen with mental health problems, that hope might just be a lifeline.





girl silhouette






I also thought the relationship between Megan and her mother was realistic and beautiful. They struggled a lot with how to relate to each other, but there's an amazing undercurrent of love between them.

And that part of Megan - written in bold, large, italics - which tells her she ruins everything, which she has to push past, push against, push through? Yes. I've been there. And it felt... real.

It's also exceptionally readable - the prose is skilled and involving throughout, and you really do want to know what happens.

There's just a lot of heart to this book, y'know? And that's great.





Not so great bits:

First things first, there's a lot of potentially distressing/difficult to deal with content, here:
  • grief
  • mental health problems
  • low self-esteem
  • anxiety
  • implied OCD
  • selective mutism
  • bullying
  • anonymous threats
  • guilt
  • violence
  • arson
  • animal cruelty/violence to animals
  • attempted suicide
  • homophobia
  • ableism
  • poverty
  • physical abuse from a parent
  • implied domestic abuse

There's also some swearing, drink-driving, and underage drinking (which you shouldn't do, in case you were wondering.)

I have problems with this book, nerdlets, both in terms of queer representation, and mental health representation.

Let's start with queer rep:

Megan, who is lesbian (although the word is never used, at least not as an identity rather than a slur, she has no attraction to men/boys,) goes on a date with a boy - Luke.

Now, it's entirely true that sometimes questioning lesbian teens go on dates with boys - BUT A NON-LESBIAN WOMAN WRITING THIS JUST FEELS FREAKING AWKWARD.

I don't know Abbie Rushton's orientation, but she mentions her male fiancée in the acknowledgements, so at the time of writing she didn't identify as lesbian.

The whole date felt a) forced and b) a gimmick - 'look! She's not attracted to him! Look at the lesbian!'

She also has Megan kiss Luke and enjoy it - again, if Rushton were lesbian and understood the issues at play here, then fine.






clasped hands





As it is? I don't think she understands enough to be writing these things in. #SorryNotSorry.

That whole plot-point just feels unnecessary and awkward.

Oh, and there's a male character who only exists for the homophobic bullies to pick on. We're not even told if he's actually queer, and we learn nothing about him as a person. #JustNo.

Now for the mental health rep.

This is disappointing, because there is good mental health rep here, but there's also poor mental health rep:

  • Megan's implied OCD is never addressed - we don't know if this is something she had prior to the traumatic event or not, and it just peters out as the story goes on.

  • [Luke's] mental health problems are both skirted over, and scapegoated. Everything's fine because we shoved [him] in a psych ward! The other crazy person did it! Not the 'good' crazy person. *Sighs*

  • Her psychologist acts like a douche. I don't mean just pushes her to explore her problems. I mean he intentionally upsets her. And somehow acting that out of line is ok, and he's some kind of saint in comparison to her 'out of order' response. The message this sends is... troubling.

  • Love cures mental health problems. Ugh. So sick of this. Love is not all you need guys, sorry.

  • Selective mutism is rarely a result of traumatic events*, and certainly the way in which Megan's mutism descends at the event, fully formed, and stays more-or-less stable until Jasmine shows up...? I have a limited knowledge of mutism, but this seems reductive and unrealistic to me. Please correct me if I'm mistaken; like I said, my knowledge of this is limited.

  • Sometimes the impression is given that Megan could speak if she wasn't trying to hide what actually happened. This isn't clear-cut, but is definitely something to keep an eye on. 👀





two girls sat on a bench





*where it is the result of traumatic events, it's usually a symptom of PTSD. PTSD is never mentioned in the book, and if this was the author's intent, then I don't feel it was put over clearly enough.






Verdict:

Do I know how to feel about this book now? Nope.

Look, part of me was just really connected to a queer girl with mental health problems... please don't judge me for that.

And parts of this were good. But the representation fell down on more than one front.

That's fine if everyone's going into this with eyes wide open... but there are so many misconceptions about mental health and being queer out there already, that it could do more harm than good.




Buy Now UKBuy Now USAGoodreads







  





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Thursday 22 December 2016

Review Time! (Graphic Novel Edition!) - Red Sonja: The Falcon Throne



Red Sonja The Falcon Throne Title



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Title: Red Sonja: The Falcon Throne

Red Sonja The Falcon Throne book cover
Author: Marguerite Bennett

Contributors: Aneke, Marguerite Sauvage

Genre: Graphic Novel, Fantasy, High Fantasy, LGBTQ+ (M/F; F/F)

Amazon: UK - USA







A few starting notes:

I received a free digital review copy of this book via NetGalley. NetGalley provides review copies from publishers in exchange for fair and honest reviews.

Ahhhh, Red Sonja - the She-Devil with a Sword.

We come once again, my nerdlets, to the opportunity to review a Red Sonja book (which apparently, as a woman, is beyond my expertise; but it turns out girls can review comics. #TrueStory.)

And to see that this Sonja story had Marguerite Bennett at the helm?

I hardly dared get my hopes up at the prospect of Sonja being given the book she deserved... but I think my fervent prayers to the feminist gods were at least somewhat answered.

Strap in guys, 'cos I got some stuff to say.






Premise:

Hyrkania's king is dying. Sonja believes the kingdom will be better off with someone who... well, basically, isn't her... in charge.

Instead of the She-Devil, someone else comes in to fill the power vacuum.

But will this new leader be a force for good? Or will the prejudices he stirs up become Hyrkania's shame?






Best bits:

WOW. Dudes, this was the Red Sonja book I've been waiting for.

Finally, Sonja is freed from the prospect of painful chainmail wedgies and having to make pathetic doe-eyes at Conan that make her fans (well, some of us,) want to barf.

Instead, we have a still-sexy she-warrior who gets to wear warmer (though still not especially protective) clothes into battle, and doesn't have to worry about rust in her most intimate areas!

(Does anyone else flinch at the idea of non-lined chainmail underwear? *shudder*)

The (in)famous chainmail bikini is the costume male creators and fans have chosen again and again for Sonja; essentially they want an overly-sexualised Barbarian Barbie.

But as Sonja makes very clear - NO-ONE owns her!






red-haired woman






There's also a clear political message throughout this book - hatred against people who are different to you goes against everything that makes us human.

Sonja is revolted by the clear bigotry and outright racism that creeps into Hyrkania, and even more revolted by the support this bigotry has from the people.

Instead of a strong female leader, they have a douchebag bigoted dude. Kind of timely, don't you think?

Sonja's bisexuality is not ignored here: too often, Sonja's character is manipulated to erase her queer aspects - she becomes de facto straight in so many of her books.

But with Marguerite Bennett at the helm, we have a queer woman making sure Sonja is given her dues.

There are also people of colour (PoC) characters with agency, and complexity, and lives of their own.






Not so great bits:

Ok, so, my main problem with this book is that it comes dangerously close to White Saviour territory.

For those who don't know, the White Saviour trope is where a white person comes along and rescues the PoC characters - the implication being that they couldn't possibly rescue themselves, and need a white person to come and do it for them (which ofc is utter sh**.)

This trope reinforces the ugly idea of white superiority, and places PoC in a position where they are never the hero, only the victim.

Here, the PoC characters are pretty much doing things for themselves, but the final save-the-day business is achieved by Sonja - the white heroine and symbol of inspiration.







sword stuck in the ground







It all plays out a lot more complexly than just white-girl-saves-PoCs, but... I'm not saying this necessarily goes over the line, but we can certainly see the line from here, y'know?

And even seeing the line is worrying guys. I don't want to be anywhere near that line.

Parts of the plotting in general are... confused? Maybe? It just feels a bit hectic and out-of-control in places in terms of plot.

Maybe this is a side-effect of trying to make the plot twisty and action-filled, when really, all that was needed was to follow the characters' lead.


There's a bunch of gore and violence pretty much everywhere, swearing, and some non-explicit sexual content.






Verdict:

We verge uncomfortably close to white saviour territory here (*squints suspiciously at book*) and that's not cool.

Aside from that, though, this is the Sonja book her (true) fans have been waiting for - she kicks butt, looks sexy, but never betrays her character or her dignity.

Bennett's Sonja is strong. Bennett's Sonja is my Sonja, finally brought to the page.

This book is a major step-forward for the character. I just hope it can be built on and improved in the future.









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Tuesday 6 December 2016

Month in Review(s) - November 2016

November; the month in which the USA decided to make the UK's stupid political choices look relatively intelligent in comparison.

All we did was leave the EU... maybe... with no real plans, and a strong sense that nobody WAS LISTENING TO THE INFO ABOUT WHAT THE F**K THEY WERE VOTING FOR.

America decided to go bigger, and elected Trump. *sighs*











Still, we are so, so, so sorry America. We did let Farage faff around your country spreading his toady hatred by campaigning for Trump.

He's now wrecked two countries and potentially the whole world - maybe we shouldn't have given that man a passport.






But, my dearest nerdlets - if you're scared, if you're feeling hurt or alone, please understand this: THERE ARE PEOPLE ACROSS THIS ENTIRE PLANET WHO LOVE YOU AND ARE THINKING OF YOU. I promise.





On the personal side of things, my depression hasn't been as bad as it was last month (woo!) so that's got to be a good thing.

And my blog hit over 45k pageviews, followed by over 50k pageviews in the early days of December!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!






But what about the books?

Well my nerdlets, here are the books I reviewed in November:





New Adult




Eyes of Persuasion by Adrienne Monson - Novella, Fantasy, Historical Fiction*, Crime*, Romance (M/F)* (*ish)





Adult







God Help the Child by Toni Morrison - contemporary, magic realism* (*ish)
Giovanni's Room by James Baldwin - classics (modern,) LGBTQ+ (M/M; M/F)
The Song of Achilles by Madeline Miller - LGBTQ+ (M/M; M/F,) Mythology, Historical Fiction*, Mythology*, Magic Realism* (*ish)





Graphic Novels




Who Killed Kurt Cobain?: The Story of Boddah by Nicolas Ortero - biography, contemporary, magic realism, non-fiction* (*ish)














Tuesday 29 November 2016

Review Time! - Eyes of Persuasion by Adrienne Monson










Title: Eyes of Persuasion

Author: Adrienne Monson

Genre: New Adult, Novella, Fantasy, Historical Fiction*, Crime*, Romance (M/F)* - (*ish )

Series: Blood Inheritance (#1.5)

Amazon: UK - USA







A few starting notes:

I received a free digital review copy of this book from the author, Adrienne Monson, via The Review Chain in exchange for a fair and honest review.

Long story considerably shortened - I applied to review a different book of Adrienne Monson's via The Review Chain, and ended up with this one instead.

Just go with it - s'all good ;)





Premise:

Isabeau Maybrick has a lot of cr*p going on - not only does she have to marry some dude because her douche of an uncle is making her, she also has to make money on the side to pay off said douche-y uncle's gambling debts.

(Yes, before you ask - I've had coffee. Let's do this!)

Oh, and to cap it all off? Isabeau has a magic-y eye power which means she can persuade people to do stuff - but it's more than a little hit-and-miss.





Best bits:

This book is hugely enjoyable.

Like dude, it's readable, indulgent, and fun. Kind of like dessert in book form - too much is probably bad for you, but at this amount, you just have to treat yourself.

(Anyone else hungry for chocolate fudge cake right now? Just me? Ok.)

I like Isabeau - she's quite cool. But Meg, her resourceful maid, is clearly more of a bad-a*s, and I would've liked to see more of her.

The idea of Isabeau's magicky-type eye-power thingy is really intriguing - but I also like the way we didn't get caught up in the detail of it.

I think if we'd had too much of the ins-and-outs, it might've spoiled it a bit - the casual way it's approached somehow makes it feel more realistic.

The whole thing is just... fun... in the way of any swashbuckling entertainment with a side of fantasy, and just a smidge of crime as our intrepid heroine faffs about in boy's clothing as an early type of private investigator.





Not so great bits:

I don't like the name Isabeau - I know that's a v personal thing, but it bugged me for pretty much the whole book.

Also, Isabeau feels a little damsel-in-distress-y more than once. Possibly because she makes stupid decisions. #JudgingYou Isabeau - stop doing stupid sh**, m'k?

Unfortunately, there were places where the writing felt sticky and clunky - like it didn't flow right.

In places, it just felt like the author had gripped the prose too tightly, and that can make it feel awkward.

There's violence, a lot of domestic abuse from Isabeau's uncle, as well as references to attempts to force her into prostitution.

There might've been swearing, but I honestly can't remember (note to self: pay more attention to the naughty words.)





Verdict:

This was enjoyable as all hell, and one heck of an adventure :)


















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Wednesday 23 November 2016

Review Time! - The Song of Achilles by Madeline Miller











Title: The Song of Achilles


Author: Madeline Miller

Genre: LGBTQ+ (M/M; M/F,) Mythology, Historical Fiction*, Fantasy*, Magic Realism* (*ish)

Amazon: UK - USA





A few starting notes:
If any queer men have reviewed this then let me know! I'd love to link to your review.

This was actually a recommendation from the lovely Charlotte @ Bookmarks and Blogging - who was spot-on with her rec! :)






Premise:

This is a retelling of the story of the Iliad (the Trojan War and all that jazz) from the point-of-view (POV) of Patroclus, the beloved companion of hero Achilles.

What follows is a Greek tragedy of love and war.






Best bits:

Uerkjnhrylojmnprkmtnoltknklnmnbreope!!!!!!!! This bookkkkkk!!!!!!!!!!!!

Guys, I love Patroclus - HE WAS A PURE PRECIOUS LITTLE GEMSTONE, AND THEY DIDN'T DESERVE HIM DAMMIT!

The strong voice of Patroclus comes through the POV - and I think this was a smart plan. Achilles is a lot more likeable through Patroclus' eyes than I think he would be in 3rd person.









Honestly, Achilles can be a bit of a douche - and it's only through Patroclus' love and light that we see him as more than just the boring role of 'the perfect hero.'

Patroclus is the first and foremost strong point of this book - he is just so exceptionally... lovely and wonderful, that I would love to actually meet him.

And even though I had some knowledge of the story of the Iliad, and knew how this was going to end, IT STILL RIPPED MY HEART OUT AND HANDED IT TO ME (in a good way.)

And the writing is completely awesome-sauce and good quality :)





Not so great bits:

*rolls up sleeves* - Look, for a book that won a women's fiction prize, I expected less of a sh**y role for the women.

We have few female characters - in a way, that's not too bad, because we're at war with a Greek army, so I wouldn't expect that many women around.

But every woman in this book gets either married off to the highest bidder and/or against her will, raped, murdered, or some combination of all three.

There's a lot of rape here - and it's used as a throwaway plot device, just something that happens. Again, probably not unrealistic - but the emotion, the trauma, and the victim seriously needed more attention.











I've seen - out and about there in Internet-land - criticism of Patroclus' representation.

Some people seem to think that he was overly feminised or forced too much into the 'wife' role in the relationship, but without knowing the backgrounds of the reviewers, I honestly can't tell you whether this is a legitimate concern from queer reviewers, or masculine insecurity from heterosexual reviewers.

What I can tell you is that I didn't find him overly feminised at any point.

There's some sexy-times, much violence, and swearing, as well as the aforementioned references to rape.





Verdict:

OK, there were some issues. But I loved this book.

AND I ADORE PATROCLUS - HE WILL BREAK YOUR HEART DAMMIT!!!!! THEY DID NOT DESERVE HIS PURE GOODNESS!!!!!!!!




Update 19th Feb 2017: I've become aware that this book has issues regarding the Bury Your Gays trope. If anyone has a post or review which discusses this, I would be more than happy to link to it.




















Tuesday 15 November 2016

Mini-Review! - Giovanni's Room by James Baldwin














Title: Giovanni's Room

Author: James Baldwin

Genre: Classics (Modern), LGBTQ+ (M/F; M/M)


Amazon: UK - USA





Verdict:

This was an exceptionally good book.

It will however tear your heart out and then show it to you. Yep. That is the level of feels we are dealing with here.

(HFBGIETLJHIOETMHBL!!!!!! WHYYYYYY?!?!?!)

So, this about a young American, David, who gets involved with an Italian bartender, Giovanni, in Paris.

Apparently this book was controversial (to say the least) in the 1950s, when it was written, not only because it was about a romantic relationship between men, but also because it was a black author writing about white men.

And for that fact alone, you should read this.

Because James Baldwin refused to be restricted in the people he could write about - he refused to play it safe and only ever write about black people, as he was expected to.

(And you know me guys, I like a rebel!)

David, as a character, isn't all that likeable. Putting it plainly, he's a bit of a jerk.

But you can still see his perspective - he's a selfish jerk, but that's because of the internalised homophobia and ideas of masculinity that he won't let himself let go of.

And, in his own way, he really does love Giovanni. I'm not sure whether that makes things better or worse, you'll have to read it and decide for yourself.

But Giovanni... argh! He totally broke my heart. Like HOW COULD YOU DO THAT TO HIM?!?! *Ahem.* Sorry.











There are a couple of issues with this book:

It can be very dismissive, to the degree of disgust, towards men who are perceived to be more feminine in their mannerisms. 

And it's very offensive to the transgender women who hang around the bar.

It actually describes them as disgusting, which is obviously NOT GOOD, and transphobic.

And the attitudes towards women wanting equality (I mean, how dare they?!) are clearly that of a narrow-minded, and fairly misogynistic, man from the 1950s. Sorry, I call them as I see them.

BUT, for all that: this is a good book. And it was an exceptionally important stepping stone for diversity.

I'm not giving it carte blanche for jerkiness, this book was written in the 1950s, and it bl**dy well shows.

But I will be looking out for more James Baldwin books - once I've recovered from the feels after what happened to poor Giovanni. *Sniffles*

Oh, and quick warning: there's a lot of implied sexual assault, and some implied rape.

There are also some male/female sex scenes. And I think there might've been swearing? Maybe? I really need to pay more attention to these things...

So that's Giovanni's Room - not a perfect book, by any means, but an important one, and largely worth the read - the writing is quality, and the offensiveness is annoying and harmful, but brief (thank God.)















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