Reviewing the Evidence - Shiver

Title: Shiver (US Link)
Author: Maggie Stiefvater
Genre: paranormal, romance, ditzy, werewolves, ya
Series: The Wolves of Mercy Falls (#1)

A few starting notes:

I didn't really have many preconceptions about this book - I knew it was YA, and a paranormal romance, so probably also ditzy (I was right.) For those of you who aren't familiar with my own special brand of genre designation, ditzy is best described via personification - she's like a teen girl who keeps laughing in that way that sounds like dolphin noises. You know, the dolphin noises? Yeah, her.

Premise:

When she was 11, Grace was attacked by wolves. Unlike most normal people, who would probably stay away from wolves after that, she becomes obsessed with them. Lucky for her (and for the plot) these wolves are not quite what they appear to be. Cue a teenaged Grace, another kid getting attacked by wolves, and a heap load of s**t hitting the fan. (Sometimes I think I write far better blurbs than the ones on the backs of books...and then I remember that's because no-one's paying me.)

Best bits:

The character of Isabel is awesome sauce! At first, I didn't like her - because she's painted as the kind of girl that we're not supposed to like: popular, gossipy, b***hy, rich, and privileged. But after a while, she comes into her own. She rocks. Honestly, she makes up for all the craziness.

I also like Sam - it's nice to have a book where the boy is more in touch with his feelings than the lead girl. Plus, a slightly traumatised bookish boy who's head over heels in love, and plays guitar, is pretty much what any girl would fall over themselves for, lets be honest. His song lyrics are terrible, but I'm willing to overlook it.

Ms Stiefvater also has some interesting twists on werewolf lore - can't say anything for fear of spoilers, but I was pleasantly surprised by the attempt to bring some originality to the genre.

Not so great bits:

There's some stuff in here that'll upset some people - negligent and sometimes abusive parents feature, references are made to self-harm and suicide attempts, and there's much blood 'n' gore and an unfortunate syringe scene (*shudders*) but it probably won't bother people who don't have the paralysing fear of needles that I do.

There's also some virginal sexy times involving older teens (I think they're 18, or close to it,) which may offend the sensibilities of some, but it doesn't get that explicit.

I found that the urge to slap Grace was pretty high - though she was better in a crisis than I thought she would be. Generally speaking though, she's not a character I really liked all that much - maybe because she's so bland and yet so very incredibly stupid. Who obsesses over the wolves that attacked you in such a creepy way? Argh! It just felt like she was a bit too cookie-cutter paranormal romance heroine (I'm talking Bella Swan levels of cardboard and lack of chemistry) and that was slightly disappointing. But, like I said, she perks up in a crisis, so there is hope yet.

Verdict:

This is readable and enjoyable - and will certainly appeal to tweens and teens who like to dive into paranormal romances. Isabel and Sam are the saving graces - unlike Grace, who needs a suffusion of personality before the next book.

We're All Stories in the End

image courtesy of jannoon028 at FreeDigitalPhotos.net

I got to thinking recently that we essentially tell the same stories over and over, since the beginning of time.
This isn't to say that we are repetitive idiots who are unable to come up with anything original. Not at all. What my point is, is that clearly there are things in these stories that we need to hear. There are things that we have recognised as fundamental since the very beginning, and we feel the need to repeat it - to get the message through again and again. But why? Are we still not hearing it?!?! Well, given the state the world seems to be in as of late, that's a distinct possibility. But I think it's more to do with it speaking to something inherently human in us.

We never abandoned the old Gods - Thor and Loki are still with us (literally if you're a Marvel fan,) but the rest are still here too. Does no one else see the Robin Hood parallels with The Green Arrow or Hawkeye? Or older still, the Eros/Cupid and Apollo associations with archery etc?

We have literally clung on to all of the old traditions, the myths, the stories, we just give them a new cape and a mask, and set them to it. But it's not just comics and their associated media (i.e. movies) that are affected by this phenomena. We litter the pages of our novels with the things that go bump in the night - vampires, werewolves, angels and demons haunt our pages. But, more subtly than that, the same stories play out in front of our eyes again and again. Even the dreaded Twilight owes so much to Romeo and Juliet, which in turn is a retelling of Pyramus and Thisbe. 'Fallen' by Lauren Kate leans heavily on Biblical tales and the legends of fallen angels. Hell, The Hunger Games' Katniss Everdeen bears more than a passing resemblance to Artemis. And I won't mention the obvious Percy Jackson parallels - I think you can figure that one out by yourselves.

I kind of like it, if I'm going to be honest with you lovely people: I like the thought that our stories are such a fundamental part of us that we tell the same tales over and over, shaping and framing, adding and subtracting - and that's what really shows the strength of these ideas and stories. They still captivate and intrigue. And fan-fiction feeds into that (no, really, it does!) - it's us hearing the story and adding our interpretation, our hopes, our feelings (and lots of the feels,) taking the parts that most speak to us and zooming in on them. We're the myth-tellers, sat around the collective glow of the laptop and the tablet, instead of the fire, and telling just one more tale of love and hurt, of bravery and sorrow, to get us through one more dark night when we're tired and hungry and afraid. And isn't that beautiful.

Reviewing the Evidence - Doctor Sleep

Title: Doctor Sleep (US Link)
Author: Stephen King
Genre: horror, paranormal
Series: The Shining

A few starting notes:

It's probably no great surprise to anyone by now that this is the sequel to The Shining. With that in mind, I do recommend that you read The Shining first - you'll just get so much more out of Doctor Sleep if you do. I'm going to keep this spoiler-free, with the exception of anything you can learn from reading the blurb for Doctor Sleep - because I think that's only fair.

Premise:

Daniel Torrance is all growed up. Except, the problem when you had an...unusual...childhood is that it tends to leave after-effects.

But now he has something else to think about. Or, at least, someone else. Abra Stone is a girl with one of the strongest examples of the Shining the world has ever seen - and she's attracted some attention. The True Knot aren't human anymore, and they live off steam - the thing that kids with the Shining produce, their essence. The True Knot are coming, they're coming for Abra...

Best bits:

It's an almost universal rule that the sequel will never be as good as the original. This is one of the exceptions. I hesitate to say that it's better than The Shining, but it's certainly as good as its predecessor. I personally also found it easier to relate to - but that's probably because the world in which Doctor Sleep is largely set is one I recognise, one not lost to the time after WW2 but before I was born like The Shining was.

The prose, plot, and characters are sublime. King knows what he's doing. I wonder why people still doubt his awesome mastery of the art. The writing hooks you in and carries you along on the tide. The characters are recognisably real in that they have flaws - some pretty major ones - virtues, and a good dollop of everyday life.

Also, and the amount to which I was chuffed by this is probably a testimony to just how nerdy I am, Stephen King's books have cross-contaminated with Joe Hill's. As well as references to other portions of his work (a brief mention of the ever present Castle Rock, for example,) there are references to Joe Hill's NOS4R2 (or NOS4A2, depending on which version you have,) which you may remember my previous review of. I also remember the odd reference to Stephen King works in Joe Hill books - and I love it. They need to keep this going for as long as possible because together I reckon they're damn-near unstoppable.

Not so great bits:

This is a Stephen King book - there are going to be traumatic things. You need to accept this. King is rarely if ever gratuitous however and deals with such weighty issues as alcoholism, various types of abuse, and some pretty unpleasant things happening to children, with his usual measured blend of realism and tact. There is also swearing, again, as per usual.

I personally would've liked it if certain aspects of the story - can't go into too much detail on account of spoilers - were brought more to the fore. For example, the actual 'Doctor Sleep' persona. And the cat - there should be more cats in everything as far as I'm concerned. This is a matter of personal preference though - I really can't fault Mr King for going in the direction he did with this, even if I would've liked to see other avenues expanded and explored.

Verdict:

This is an excellent sequel to a book considered a modern classic. It doesn't fall into the trap of trying to replicate the original, neither does it strain too much under the weight of its predecessor. This is carried off with skill and power. If you've read The Shining, read this.

Reviewing the Evidence Time! - Diary of a Wimpy Vampire

Title: Diary of a Wimpy Vampire (US Link)
Author: Tim Collins
Genre: ya, paranormal, humour, vampire
Series: Wimpy Vampire

A few starting notes:

This looked fairly entertaining, and I'm a sucker for vampires (pun only slightly intended.) So I figured, why not give it a try? It's very much aimed at the teenage/ya market.

Premise:

Nigel is a vampire. Vampire's are always romantic and sexy and all that cool stuff - but not Nigel. Nigel had the misfortune of being turned at the awkward age of 15, just in time for an eternity of homework, acne, school politics, and being awkward around girls. So, will Nigel ever reach his target of getting his first ever girlfriend before his 100th birthday?

Best bits:

This book is fun. Like fun. Think of all the diary-form teenage books there have been over the years. Then add an awkward teenage vampire - see? Fun.

The pictures are actually a really fun touch - like something that a teenager would actually use to try and illustrate their hyperbolically serious diary. And I love Nigel's parents; they are, quite awesomely, mental.

The tone and pace of this book is quick and light, making it perfect for reluctant readers (you may even be able to trick the dreaded challenge of the teenage boy into reading it - though I can't guarantee it.)

Not so great bits:

Sometimes the plot has a slight tendency to feel on the thin-side. This isn't too much of a problem because the tone is so light, but it can occasionally get irritating.

There are some light references to issues that might affect teenagers - poverty, self-harm, suicide, anorexia, bullying - but these aren't laid on too thickly so the majority of young readers will be able to cope.

Verdict:

A fun and quick read with an awesome and quirky premise. Perfect for reluctant readers, or just those who like something different every now and then.

Reviewing the evidence - The Witch's Daughter

Title: The Witch's Daughter (US Link)
Author: Paula Brackston
Genre: Paranormal, Fantasy, Historical Fiction
Series: The Shadow Chronicles


A few starting notes:

Apparently this is the first volume of the Shadow Chronicles, though it seems that the series continues along a theme rather than with the same characters. Though with this being the first I've read, it's possible I'm wrong.

Premise:

Bess Hawksmith was happy enough faffing about in the rural West Country in the 1600's. Then everything basically went to hell in a hand-basket. There was death, lots of it, and magic, some of it, and fear, buckets of it.

Eliza Hawksmith was working as a doctor, treating the rich and the poor of Victorian London, until the past caught up with her.

Elise Hawksmith was a nurse on the Western Front. She met a soldier. They were in love. Could it last?

Elizabeth Hawksmith is just settling into a new village when she meets Tegan. Tegan becomes almost like a daughter to her, and Elizabeth finds herself having to protect the girl from things she's too young to understand.

And looming over it all is the shadow of Gideon Masters. A rejected suitor is a dangerous thing - particularly one like Gideon.

Best bits:

I like the historical settings - the images used are vivid and really conjure the essence of the period of time.

The plot is interesting enough to keep you going, and the characters are amiable enough to make you care. Which of course is what you need in any novel.

I also liked the way Elizabeth's diary is used as a frame for the other three stories - it gives an effective structure to the whole thing.

Not so great bits:

There's some pretty gory bits, so if you're not a fan of the violence, blood and guts, beware. There's also some pretty uncomfortable and down-right graphic descriptions of rape, so read responsibly.

This isn't exactly historically-accurate, what with all the witching and all, but I'm pretty sure that the black death/bubonic plague was centred in the 1300/1400s, not the 1600s - though I will admit that there were some localised outbreaks afterwards. Brackston's plague is in 1628; the history nerd in me wishes that at the very least there was some mention of the unusualness of an outbreak at this time.

The narrative has a kind of BBC4 afternoon play vibe - which is all very well and good in its place, but kind of jars with the content in places.

Verdict:

A decent novel with plenty of historical-drama melded with witch-y activity. Enjoyable but a little slow and sometimes off-key in pace and tone, this is most likely to appeal to fans of Alma Katsu's The Taker, or the TV show Forever - although, personally, I think that Forever does a better job at dealing with the themes.

Reviewing the evidence time (Manga Edition!) - Genju No Seiza vol.1

Title: Genju No Seiza vol. 1
Author: Matsuri Akino
Genre: Graphic Novel, Manga, YA (older teens,) Fantasy, Paranormal

A few starting notes:

Genju No Seiza translates to 'Constellation of the Imaginary Beast' (thanks Wikipedia,) and is presented in the format favoured by the publisher (the now sadly diminished, but hopefully will soon rise from the flames, Tokyopop,) of reading right to left to keep the orientation of the artwork. It sounds more complicated than it is, honestly, though sometimes you do read things in the wrong order and have to check yourself.

I picked this up randomly in my last library haul, so didn't really have any preconceptions about what it would be like.

Premise:

Fuuto Kamishina hasn't had the easiest of lives, and it turns out the past few lives have been a bit complicated too. It's not everyday that a birdman attaches himself to you and tells you that you are the reincarnated rightful ruler of a tiny Asian country called Dhalashar. What's a Japanese schoolboy to do when there are paranormal assassins, restless spirits, and premonitions of doom to deal with?

Best bits:

The artwork is competent and engaging. Sometimes it crosses the line into truly beautiful - which is always a good sign going forward in a series. Some of it is brutal and striking - manga rarely shies away from dramatic wounds and blood.

The characters - Fuuto in particular - are believable and interesting. You care what's going to happen to him, what he's going to decide to do with this insane situation that's suddenly landed on him. And he's different, which is a huge thumbs up as far as I'm concerned!

The plot and tone have a gothic and slightly surreal feel that I think actually fits quite well. The castle which Mayu lives in gives the whole thing this sort of other-world anything-is-possible feel that's really entrancing.

There's humour here too - not over-used, but excellent at tempering the seriousness of much of the plot. I particularly enjoy 'Professor Vision' which shows what it looks like to outsiders (this outsider happening to be the Professor, there are always professors in manga,) when Fuuto is arguing with a random bunch of animals.

Not so great bits:

The first chapter (this volume takes in Chapters 1-5) is a little rushed as far as plot is concerned, but it soon settles into it's groove.

Some readers may find some of the themes and artwork difficult to deal with - there's discussion of suicide and abuse here, for example - but I think it's handled with grace. Obviously, if you find this sort of thing distressing, this may not be the book for you.

Verdict:

A promising start to the series that tempers gothic seriousness with the gentle touch of humour. Engaging characters, artwork, premise, what more could you want in a good slab of manga?