Showing posts with label classics. Show all posts
Showing posts with label classics. Show all posts

Monday, 25 July 2016

Mini-Review! - Oranges Are Not The Only Fruit by Jeanette Winterson


Title: Oranges Are Not The Only Fruit

Author: Jeanette Winterson

Genre: (Modern) Classics, LGBTQ+, F/F

Amazon: UK - USA





Verdict:

This is held up to be a modern classic, so I figured - why not? It looked interesting, after all.

I think this book doesn't get read enough because it's about *whispers* lesbians. We need to get over the narrow-mindedness, in all honesty.

Let me explain something straightaway, though - given the knowing glances and reluctance to talk about this book, I was expecting there to be sexy-times.

There was none of the sexy-times in this book. There were references to the sexy-times, but that's all. And even those are fairly tame, to be perfectly honest.

And I'm always honest with you guys ;)











This is a book about the fictional Jeanette (not to be confused with the real Jeanette,) a girl being raised in an evangelical Christian family up North in the 60s/70s.

They're raising her to be a missionary and do the Lord's work.

This is fine until Jeanette falls in love with another girl. Then the problems start.

This is a semi-autobiographical novel, where the author uses aspects of her own life to create a fictional version of herself.

I really enjoyed this book. The fable-style interludes were cool, and the way the characters were written was the right mix of affection, humour, and frustration.

It was also hugely readable, and quite short (less than 200 pages - practically bite-sized!) And if you want an interesting read, it's a sure-thing.












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Tuesday, 3 May 2016

Portraits in the Attic

I'm re-reading The Picture of Dorian Gray by Oscar Wilde at the moment.

It's a fantastic classic piece of Victorian gothic literature which tells the tale, oddly enough, of Dorian Gray, and his portrait.

Dorian's portrait (which he keeps in the attack - hence the title of my post. See? I think these things through...occasionally,) ages while he stays young.

The effects of all of his stresses and vices are transferred to the image on the canvas, while Dorian stays as he always was - young and beautiful.

This means that he decides to essentially go on a bender that lasts years, maybe decades.

Because his responsibility is basically null and void, it clearly goes to his head, and he just goes all out. Probably had too much absinthe.












So it got me to thinking: what would my portrait show?

I like to think it wouldn't be too bad. I like to think that my life has been good enough to stop my little magical-y gothic-y metaphorical-y portrait looking too dastardly, or too haggard.

I'm going to be honest though, it's probably wearing a bit by now. (Sigh.) (From the stresses, not the vice - I'm mind-numbingly boring when it comes to the vice.)

So, maybe a slightly more wrinkled and drawn version of myself? (I mean drawn as in gaunt - portraits are already the other type of drawn.)

That wouldn't be too bad. It might actually be quite nice to be able to show my story on my face for once.












What's so good about looking young anyway?

Looking young is a pain in the ever-loving behind. It really is. (I'm in my 20s. I look about 14.)

But you don't see Dorian getting ID'd to buy alcohol, or asked where his parents are.

That would've made the novel far more awkward - life of sin, sir? But aren't you a little young? We're going to need to see your driver's license.

Yep, that would've put a cork in his wild-times.






What would your portrait show?







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Monday, 7 March 2016

Review! (Classics Edition!) - Orlando by Virginia Woolf

Orlando book coverTitle: Orlando


Author: Virginia Woolf

Genre: Classics, Historical Fiction, LGBT*Q+

Amazon: UK - USA

A few starting notes:

This had been on my TBR list for so long that I honestly can't remember when or why I put it there.
I borrowed this from the ebook facilities that are offered by Welsh Libraries. You guys should see if your libraries have something similar - it saves me a lot of money on books from my TBR.


Premise:

Orlando, our eponymous hero/heroine (yes, I do mean both,) lives his/her life through several centuries, spanning the time between the late Elizabethan age and the 'present' (which in the case of this novel is 1928.)

It's generally thought to be a novel-length love-letter to Virginia Woolf's female lover, Vita Sackville-West.


Best bits:

There's a lot of both discussion, and subtext, of gender roles and sexuality in this book - not least because Orlando transforms (fairly randomly) into a woman, about half-way through (this isn't a spoiler - it's a well-known feature of this book.)

It really is a surprisingly modern and bold book for something that was written in 1928 - and says a lot about the interaction between the sexes, as Orlando finds that her new gender is subject to different social restrictions than her old gender.

I love the way that Orlando suffers from the 'affliction' of literature - and the discussion of poets, writers, and writing, that this provokes at various points.

But then, I love it when books talk about books - reading, writing, whatever. It appeals to my inherent bookishness.

And the writing itself draws you on - this was one of those books where 'just one more page' became a meaningless mantra, because one page, more often than not, turns into ten, or twelve...


Not so great bits:

The seemingly rule-less, accepted-on-face-value, nature of the surreal aspects just won't appeal to everyone - but I liked it.

I do like the surreal aspects of this novel - Orlando's transformation, and the way s/he barely ages over the centuries (this extends (though to a lesser degree) to the people around her,) - but this is likely to put some people off.

There's also a dab of casual racism - acceptable in 1928, uncomfortable at best in 2016. It's not a huge amount - but it's there.

Occasionally Woolf just tries too damn hard, and ends up coming off as pretentious. This is rare, but annoying when it happens.



Verdict:

Basically, and for all it's weirdness, I loved this book. Hugely readable, and ginormously (it's a word now, shh!) thought-provoking.




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Monday, 29 February 2016

The Month in Review(s) - February 2016

Ah, February - a month of storms and Valentine's cards. And books of course.
 
Check out all my reviews from this month...
 

organising, categorising

Kids

Percy Jackson and the Lightning Thief (aka just 'The Lightning Thief') by Rick Riordan - Fantasy, Mythology

Adult

Today Means Amen by Sierra DeMulder - Poetry
Jane Eyre by Charlotte Bronte - Classics, Romance
The Trouble With Wolves (aka 'The Trouble With Weres') by Leigh Evans - Fantasy, Urban Fantasy, Paranormal, Werewolves, Fairies/Fae
Omega Beloved by Aiden Bates - Romance (m/m,) Paranormal, Fantasy, Werewolves, LGBTQ+, Short Story

Graphic Novels

Grumpy Cat Volume 1 - Kids, Humour, Media Tie-In
Red Sonja/Conan: The Blood of a God - Fantasy, High Fantasy 

Popcorn Reviews (Film)

Seventh Son (2014)

Wednesday, 3 February 2016

Mini-Review! (Classics Edition!) - Jane Eyre by Charlotte Bronte

Title: Jane Eyre

Author: Charlotte Bronte

Genre: Classics, Romance

Amazon: UK - USA

Verdict:

Awesome, awesome, awesome book! I just finished re-reading this, and I forgot how much I love this book!
Some people may find the prose and style old-fashioned (but given that this book was published in the 1840s, that's hardly surprising,) but the effort you put in really does pay off.
Honestly, I adore this book - if you love creepy, atmospheric, novels with complex characters, societal conventions to use and rebel against, and secrets upon secrets, then this book is for you too!






Sunday, 22 November 2015

Nerd Church! - Four Tales of Incredible Courage

I think we could all do with some courage (no, not the Dutch kind - shh!) How about you? You want some courage? These four books (in my humble opinion,) have characters who show real courage, in the most difficult of times.

The Courage of Friendship and Compassion

The Book Thief by Markus Zusak
The Book Thief front cover


This a beautiful book, and I will always, always, always recommend it - to anyone, at any time. And Liesel, to me, is courage.

A girl growing up in Hitler's Germany, Liesel is trying to wind her way through the challenges of her life and times. Things are about to be made ever more complicated by the actions of her foster father, Hans, in hiding the Jewish son of an old friend.

Liesel never lets the challenging circumstances make her any less than who she is. Her friendship and kindness are more courageous than any bullet.

Buy now UK - Buy Now USA - Goodreads - Author's Facebook Page

The Courage of Survival

Blood Red, Snow White by Marcus Sedgwick

This is a book that I haven't read in years - but that I still think of as something truly memorable and remarkable.

Blood Red, Snow White book coverWritten by Marcus Sedgwick, this is a YA book with no teenage characters. All of the characters are, in fact, adult.

Set in the Russian Revolution of 1917, this book follows the true story of Arthur Ransome - the author of Swallows and Amazons - who acted as a double-agent at the heart of the new Communist regime. Such a double-agent, in fact, that no-one actually knew for sure which side he was on.

I loved the way this book tried to show the human story, and to portray the way that Ransome was an ordinary man, trapped by truly extraordinary circumstances, and just trying to survive in a world that had turned upside-down.

Certainly, if you're into spy stories, history, or both, then this book is worth the read.

Buy Now UK - Buy Now USAGoodreads - Author's Website

The Courage to Endure

Twelve Years a Slave by Solomon Northup

This memoir of the life of a man kidnapped into slavery in the US is made all the more incredible and poignant by the fact that it is non-fiction.

Solomon Northup writes beautifully and with dignity, and as far as I'm concerned this should be required reading on anyone's list.

Buy Now UK - Buy Now USAGoodreadsFull Review

The Courage of Love and Sacrifice

A Tale of Two Cities book coverA Tale of Two Cities by Charles Dickens

A true 19th Century classic, this is a novel of the French Revolution. Featuring some of the most beautiful lines in English literature, this is Dickens (as far as I'm concerned,) at his best.

True, I disliked the character of Lucie - a bit two-dimensional in my opinion - but overall, this is a stunning book.

Without giving away any spoilers, I can tell you that Dickens brings the French Revolution, and the terror it brought with it, to life. But this is fundamentally a tale of love and sacrifice. It is honestly worth reading just for the beautiful tragedy it reveals.

Buy Now UK - Buy Now USA - Goodreads

Monday, 5 October 2015

Time to Review the Evidence (Classics Edition!) - Dracula by Bram Stoker

Title: Dracula (US Link)
Author: Bram Stoker
Genre: Classics, Horror, Paranormal, Vampire

A few starting notes:

I've read 'Dracula' several times now - it really is the godfather of vampire fiction. What Mr Stoker would have thought of Twilight et al is anybody's guess, but this was considered terrifying and risqué when it was first published.

Premise:

Jonathan Harker (one of the most under-appreciated characters in literary history, in my humble opinion,) a young solicitor's clerk, is engaged in work that takes him to Transylvania and one Count Dracula. He soon finds that things are not as they first appear.

Back home in Britain, Jonathan's fiancée, Mina Murray, is planning a break in Whitby with her friend, Lucy Westenra. Soon, Mina is worried about Lucy's health - what could be causing her illness?

Meanwhile, Lucy's jilted lover, Dr John Seward, continues his work at the lunatic asylum. His patient, Renfield, is acting very strangely...

Best bits:

This still has the power to draw you in to its atmospheric Gothicism and delectable prose. Perhaps we now consider it less frightening than our Victorian forebears did, but then, we have been de-sensitised by shocking films, books, TV shows, and video games. It's a wonder that anything frightens us, really.

The characters (with some notable exceptions) are vivid and intriguing. I personally favour Jonathan Harker - a man who fights his way through the darkest of situations.

The epistolary (look at me with my shiny literary terms - that means it's written in letters, diaries, etc.) form is used fantastically to highlight portions of plot with pin-prick precision, and to document the passing of time without getting in too much of an ever-loving muddle.

Not so great bits:

OK, don't yell at me, but I can't stand Lucy Westenra. She, to me, is the most awful stereotype. She is contradictorily pure and tainted at the same time - a symbol of Victorian sexual politics if ever there was one. She faffs about like a wet rag for most of her screen-time (I know there's no screen, but you know what I mean.)

The casual sexism is what bothers me the most about this book. The urge to scream at statements about thanking God for brave men is quite high. Unfortunately, I think this is largely a by-product of the time in which it was written.

Some may find it a very slow read - Victorian English, and not exactly short - but please don't let it put you off.

Verdict:

This is, and ever will remain, a classic. The book that popularised the vampire still has the power to entrance, absorb, and delight.

Wednesday, 19 August 2015

It's alive! :)

Hello the lovely peoples of the interwebs! Just thought I should let you know that the 'Victor Frankenstein' trailer, released by 20th Century Fox, has landed - complete with a winning combination of Daniel Radcliffe and James McAvoy. Looks like it might actually bring something new and fresh to the Frankenstein story (and if you haven't read Mary Shelley's original, then I highly recommend it,) - here's hoping it'll be a good 'un!

Sunday, 19 July 2015

Reviewing the Evidence (Classics Edition!) - 12 Years a Slave

Title: 12 Years a Slave (US Link)
Author: Solomon Northup
Genre: classics, non-fiction, memoirs, autobiography

A few starting notes:


I approached this book with a mix of trepidation and interest - I'd heard of the film, but not seen it, and knew a little about the story, but didn't know what the writing would be like or how the tone would be. I needn't have worried.

Premise:

Solomon Northup was a black man born free in the time of slavery in the USA. He is tricked, kidnapped, and enslaved, enduring the life of a Southern slave for a period of 12 years. This is his own account of his time spent in slavery.

Best bits:

The very best bit is our narrator - Solomon Northup himself. He never lacks perspective, considers the opinions and feelings of others, and speaks with a strong voice that reverberates through the pages. His account keeps a level of admirable dignity up throughout its entirety, and he weaves the prose together better than many bestsellers today.

Mr Northup never shies away from the realities of slavery - we are told of the whippings and beatings, and the pain of separated families, whilst maintaining that same dignity. He never includes gratuitous levels of violence or suffering simply for their own sakes, and is honest about everything - the good times and the bad.

He also always gives credit where credit is due in a gracious and understanding way. He refrains from judging slave-owners simply for being slave-owners. His first master, William Ford, he has genuine affection for and Ford joins the ranks of white men who put themselves out for Mr Northup's sakes (the others including but not limited to an English sailor, and the Canadian carpenter, Bass.) Northup insists that, in his estimation, Ford was only a slave-owner because he had been born and raised in the South - something which he could not help any more than Solomon could help being black.

Not so great bits:

Slavery is understandably an uncomfortable subject - and though Solomon Northup is an excellent narrator, he uses the language and the attitudes of his time. He thinks nothing of classifying people according to their skin colour - something which actually becomes very interesting in the case of the slave Celeste who is paler than her owner - and this can jar with modern sensibilities.

He also uses the 'n' word a lot - simply because this is how black people were referred to by those he is in contact with. This is historically accurate but mightily uncomfortable.

The subject matter, as can be expected, is not always pleasant, though is not gratuitous.

Verdict:

This book is excellent. It is written sublimely with a voice that is not often heard in accounts of slavery - that of an actual slave. More than just an outstanding piece of literature, this is also a work of historical importance - and should be just as much as a necessity on reading lists as the likes of Anne Frank's Diary.

Monday, 15 June 2015

Do you read an audiobook?

I'm wondering how you describe audiobooks - do you read an audiobook? Or just listen to it? But then, I like to count audiobooks towards my Goodreads total - so isn't that reading? But somehow my brain won't accept "Oh, I read that audiobook before and..." as valid. Is it just me?

I know a lot of people can be a little sniffy about audiobooks in general - and certainly, I (read? - you see my problem!) audiobooks less than I read printed books with all their word-y-ful wonderment which allows me to actually touch the print (I know, but don't judge me!) But I still kind of like the odd audiobook (by which I mean occasionally listening to an audiobook rather than the audiobooks I listen to are slightly odd - which may also be true, but wasn't what I was getting at.) I think that, maybe weirdly, maybe not, listening to classics in particular in an audiobook format works really well.

Hear me out here! - a lot of classics were published in instalments in magazines and newspapers etc., still more were designed to be read out by one member of the family to the others, or to be read at a formal reading by the others. As such, they were practically made to be listened to and/or read out loud. There was no TV in the 19th Century, so lord knows you had to follow the dramas somehow. Someone in the family would read a chapter or two out loud in the evening as pretty much the only form of at-home entertainment, save playing music or games of cards - so trust me, classics in audiobook format work. (And, if you're skint, try LibriVox - all classics, all free.) And, as ever, if it gets people interested in reading and books, then why ever the hell not? #ShameTheShamers