Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts

Friday 20 January 2017

#DisabilityDiaries2017 | Review! - Jerkbait by Mia Siegert



Jerkbait title image


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Title: Jerkbait
Jerkbait by Mia Siegert book cover
Author: Mia Siegert

Genre: Young Adult, Contemporary, LGBTQ+ (M/M,) Magic Realism* (*ish)


Amazon: UK - USA









A few starting notes:

A bunch of people have recommended this; you've got mental health representation and LGBTQ+ representation, so yeah, I was gonna read it!

For a great review from a queer male reviewer, check out Naz @ Read Diverse Books' review, which was the first review I think I read of this book (and is awesome.) 😄

In the interests of balance and all cards on the table, here's a Goodreads review from someone who really didn't like this book, and had some valid points about the representation.




Monday 16 January 2017

#DisabilityDiaries2017 | Review! - Unspeakable by Abbie Rushton



Unspeakable title image




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Title: Unspeakable
Unspeakable book cover
Author: Abbie Rushton

Genre: Young Adult, Contemporary, LGBTQ+ (M/F; F/F)


Amazon: UK - USA





A few starting notes:

If anyone with, or with first-hand experience of, selective mutism or OCD, has reviewed this book, please let me know - I'd love to leave a link to your review.

I'm not sure how I feel about this book.

There were parts of it I truly loved and parts which... I just wasn't comfortable with. There are a lot of problems with this book.

So prepare yourself nerdlets, we're gonna discuss some sh**.

(Seriously, if you need the loo or whatever, go now and come back, because once I've started I'm not stopping.)





Premise:

Megan hasn't spoken in months. Because there are things people don't know - things about the day when everything changed, the day she stopped talking.

But then Jasmine started at school. Beautiful, bright, bubbly, Jasmine... and for the first time in a long while, Megan might just want to talk again.





Best bits:

I loved that Megan's problems aren't simple.

Too often, depictions of mental health problems are put down to textbook examples, and left there.

The truth is that everyone's problems affect them differently, and that sometimes conditions combine to have a joint effect on someone's life.

I also liked Jasmine - I've seen a lot of criticism of her character, but I liked her. Yes, she's pretty idealised. But she's also not perfect.

And, honestly, the hope that there are people like her in the world - people who will accept you as you are - is not a bad thing. If you're a queer teen, and/or a teen with mental health problems, that hope might just be a lifeline.





girl silhouette






I also thought the relationship between Megan and her mother was realistic and beautiful. They struggled a lot with how to relate to each other, but there's an amazing undercurrent of love between them.

And that part of Megan - written in bold, large, italics - which tells her she ruins everything, which she has to push past, push against, push through? Yes. I've been there. And it felt... real.

It's also exceptionally readable - the prose is skilled and involving throughout, and you really do want to know what happens.

There's just a lot of heart to this book, y'know? And that's great.





Not so great bits:

First things first, there's a lot of potentially distressing/difficult to deal with content, here:
  • grief
  • mental health problems
  • low self-esteem
  • anxiety
  • implied OCD
  • selective mutism
  • bullying
  • anonymous threats
  • guilt
  • violence
  • arson
  • animal cruelty/violence to animals
  • attempted suicide
  • homophobia
  • ableism
  • poverty
  • physical abuse from a parent
  • implied domestic abuse

There's also some swearing, drink-driving, and underage drinking (which you shouldn't do, in case you were wondering.)

I have problems with this book, nerdlets, both in terms of queer representation, and mental health representation.

Let's start with queer rep:

Megan, who is lesbian (although the word is never used, at least not as an identity rather than a slur, she has no attraction to men/boys,) goes on a date with a boy - Luke.

Now, it's entirely true that sometimes questioning lesbian teens go on dates with boys - BUT A NON-LESBIAN WOMAN WRITING THIS JUST FEELS FREAKING AWKWARD.

I don't know Abbie Rushton's orientation, but she mentions her male fiancée in the acknowledgements, so at the time of writing she didn't identify as lesbian.

The whole date felt a) forced and b) a gimmick - 'look! She's not attracted to him! Look at the lesbian!'

She also has Megan kiss Luke and enjoy it - again, if Rushton were lesbian and understood the issues at play here, then fine.






clasped hands





As it is? I don't think she understands enough to be writing these things in. #SorryNotSorry.

That whole plot-point just feels unnecessary and awkward.

Oh, and there's a male character who only exists for the homophobic bullies to pick on. We're not even told if he's actually queer, and we learn nothing about him as a person. #JustNo.

Now for the mental health rep.

This is disappointing, because there is good mental health rep here, but there's also poor mental health rep:

  • Megan's implied OCD is never addressed - we don't know if this is something she had prior to the traumatic event or not, and it just peters out as the story goes on.

  • [Luke's] mental health problems are both skirted over, and scapegoated. Everything's fine because we shoved [him] in a psych ward! The other crazy person did it! Not the 'good' crazy person. *Sighs*

  • Her psychologist acts like a douche. I don't mean just pushes her to explore her problems. I mean he intentionally upsets her. And somehow acting that out of line is ok, and he's some kind of saint in comparison to her 'out of order' response. The message this sends is... troubling.

  • Love cures mental health problems. Ugh. So sick of this. Love is not all you need guys, sorry.

  • Selective mutism is rarely a result of traumatic events*, and certainly the way in which Megan's mutism descends at the event, fully formed, and stays more-or-less stable until Jasmine shows up...? I have a limited knowledge of mutism, but this seems reductive and unrealistic to me. Please correct me if I'm mistaken; like I said, my knowledge of this is limited.

  • Sometimes the impression is given that Megan could speak if she wasn't trying to hide what actually happened. This isn't clear-cut, but is definitely something to keep an eye on. 👀





two girls sat on a bench





*where it is the result of traumatic events, it's usually a symptom of PTSD. PTSD is never mentioned in the book, and if this was the author's intent, then I don't feel it was put over clearly enough.






Verdict:

Do I know how to feel about this book now? Nope.

Look, part of me was just really connected to a queer girl with mental health problems... please don't judge me for that.

And parts of this were good. But the representation fell down on more than one front.

That's fine if everyone's going into this with eyes wide open... but there are so many misconceptions about mental health and being queer out there already, that it could do more harm than good.




Buy Now UKBuy Now USAGoodreads







  





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Saturday 14 January 2017

#DisabilityDiaries2017 | Harry Potter and the Representation of Scarring

(Flashing Images Warning: there are some gifs with flashing images in this blogpost which may cause problems for those with photosensitive conditions such as epilepsy or migraines.)



Let's kick off Disability Diaries 2017 with something a little different. Let's talk about scars.

(The lovely Ely @ Tea and Titles came up with the idea of Disability Diaries - a week long event running from 14th-21st Jan 2017, discussing disability, books, and disability in books. 

Ely, myself, Angel @ Angel Reads, Dina @ Dinasoaur, Jolien @ The Fictional Reader, and Lara @ Another Teen Reader are running it.)












Scars. A physical sign of illness and injury. Not a disability, but often an indication of one, and often made into one by the way society treats them.





I have a lot of scars.




My scars are mundane - sorry, but there's no cool story of danger and adventure, neither is there any trauma you can romanticise.

But I'm covered in lines of silver, purple, and pink.

I scar easily - my skin is 'sensitive,' which is another way of saying 'my skin reacts to numerous substances and allergens, because my immune system treats them as a threat.' But that's not as pithy, I agree.

My skin also takes a long time to heal. So a simple scratch from my cat may leave a reddish purpleish line for 6 months or more.





So, with my variety of permanent, semi-permanent, and temporary scars, I notice the way we portray scars, in books and elsewhere.

Guess what? Society and media is cr*p at representation of scars. And for someone with low self-esteem (hello there! 🙋) it can have a really negative affect on how you view yourself.





Shall we take our most well-known scarred hero as an example?

(And I'd like to just point out that, like most people, I love Harry Potter and simply want to use this as an example to discuss scarring. It's really not an attack on anyone's enjoyment of anything.)















What do we know about Harry Potter's famous scar?
  • it's lightning shaped
  • it's the result of a magical curse that rebounded
  • it's on his forehead
  • it gives him magical Spidey-sense to let him know when Voldemort's faffing about
  • it's permanent




And what does that tell us, my nerdlets, about the representation of scarring here?




His scar might be shaped like a lightning bolt, but it's a clean line.

Scars are often jagged, uneven, and/or unsightly.

Rowling falls into the trope of Good Scars vs Evil Scars - good scars, the kind heroes get, are either attractive or barely noticeable.

They are clean lines, as if made by a precision instrument, and healed evenly.

The villains get to have 'scary' jagged or unsightly scars, to show that they're evil inside and out (*sighs*.)













It gives Harry a dramatic backstory.

It's a sign that he's 'the Chosen One' - it's derring-do and noble-suffering bound into one little line on his head.

And, just to be handy, it never dries out and flakes in the winter, forcing him to use non-heroic moisturiser.






Harry's scar is easily hidden.

Harry wears his hair long to hide his scar. While I would defend the right of anyone with a scar to either hide it, or display it, as they choose, why does Rowling choose to hide Harry's scar?

Is it, perhaps, because society sees facial imperfections and scars as something shameful, some sign of corruption? 

By hiding his scar, he can hide his imperfection. Rowling's hero is flawed, but not where anyone can see it.

But guess what? Scars are ok. They are not a corruption, or a flaw of character. They are simply damaged skin.







Harry's scar 'aches.'

OK, I'm about to blow your mind - SCARS DON'T HURT. Yes, yes, magic and all that. But scars have limited pain receptors.

Unless you cut through all the skin layers, they will very rarely actually hurt. The skin around them might ache or hurt, especially if they've dried out and tightened, but the scar itself? Not usually.

Scars are simply the result of collagen healing the skin. Yeah - collagen, that stuff they put in dermal fillers? Very few pain receptors.







And Harry's scar has magical Voldy Spider-sense.

Granted, this is handy plot-wise, and has the added 'oh, poor Harry!' effect that Rowling was clearly going for.

But what is this saying, really?

That scars are a constant reminder of the bad parts of your life and your past? That physical scars and psychological ones are directly linked?

That scars have to be (as Dumbledore says) 'useful' in order to be present on a hero instead of on a villain?













Scars actually change over time, you know that?

They can change vastly for about 2 years after the injury or other damage to the skin, and can change in appearance after that as your body ages.

You wouldn't think that, given that scars in so many books etc. are either healed completely within a week or two, or permanently in a specific state for the rest of the character's life.



If your character ages, their scar should too.

Stretch marks in particular will silver as you get older (and no, stretch marks aren't just from pregnancies - they also occur in growth spurts, and sometimes around injuries where the skin has had to grow more quickly than normal in order to heal the wound.)

I have a small indented scar above my eye from where I had some face-time with a table aged six (it had staples sticking out of it, and accident-prone Cee over here just had to connect with the stapled portion of the table.)

It looks different all the freaking time. If I'm tired, it really stands out. Some days, it's barely there at all. Skin is stretchy and crinkly - especially on your face.






So, there I am as a kid, reading Harry Potter, and wondering why the hell his scar looks the same all the time? Why doesn't it flake? Why is it aching, but never pulling with skin tightness?

Facial skin moves a lot, and you know those lines you get in your forehead when you're making expressions? They should've made Harry's scar look different all the time.





Ms Rowling chose to give Harry a facial scar, yet doesn't seem to know what that entails.

I would've loved it if he wandered down to Madame Pomfrey every now and then in winter to ask for lotion of some kind.

Or maybe a description of the weird feeling of not-feeling when you move a joint or a muscle (like, in your forehead, for example) with a scar overlapping it?





Don't get me wrong, I have nothing against Harry, or against J K Rowling. It just would've been nice if, when writing a kid with a scar, she thought about what that was like.





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Wednesday 11 January 2017

Month in Review(s) - December 2016

This wrap-up isn't late, it's fashionably detained. 😎

So, in another round of let's-help-2016-get-the-hell-out-of-here, I'm tying up some more leftover 2016 business.




flower poking up through cracked earth






December was OK, for me, anyway.

There was Christmas, and I love Christmas, so s'all good. Plus, we all said goodbye to 2016. Which up until it's very last days was a b**ch. (Don't do what your big sibling did, 2017 - you can be better!)




It was also the month when I decided to change things up on DORA a bit. In case you aren't aware: I'll be posting less from now on, but hopefully will be bringing you better content as a result.

And honestly, it'll be less - but not that much less. And you'll still probably see yours truly faffing about on social media etc. quite a damned bit!





I only wrote two reviews in December (shock! horror! 😲) what with Christmas and everything... so, here they are:




Graphic Novels











And that's another piece of 2016 done and dusted!






Thursday 5 January 2017

Comics Wrap-Up - Bumper Catch-Up Edition!

Since Comics Wrap-Up took a break over Christmas, this week's edition is a catch-up of my comics reading and all related stuff in the last couple of weeks :)





Comics Wrap-Up title image







Film Trailers


Here's an extended Batman TV spot for you all :)

(This film looks hilarious!)













Single Issues


I read a butt-load of short and preview comics to help prop up my Goodreads challenge total, so I'll just give you my three top picks.

(Trust me, these three are the ones worth mentioning!)




Heart of a Corpse: An Undead Engagement #1 (UK - US) and Bloody Dreadful #1 (UK - US) are two comics by creator Justin Sane.



Heart of a Corpse cover Bloody Dreadful cover


Both are fairly interesting, creepily executed, tales of Victorian Gothic horror. Heart of a Corpse actually plays out like a silent movie in silhouette - and was really moody and cool. :)

I enjoyed both, and they def. came as a pleasant surprise.





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Loki: Agent of Asgard #1 (UK - US) is the start of the whole Loki-as-a-teen series.



Loki, Agent of Asgard cover





(Fangirling note:

Loki is one of the most difficult Marvel characters to define because s/he spends periods of time as a child, a teenager, a woman, a man, and two people. In honesty, I've probably missed something out.

Just trust me. In this period of time, Loki = reincarnated teenager. Thor = adult. That's as basic as it's gonna get, so let's leave it there.

You can't sweat the small stuff in comics. Your brain will explode. #TrueStory.)



This is the first part of Loki: Agent of Asgard Vol 1 (UK - US) and is pretty awesome. I really want to read the full volume soon for more sassy Loki awesomeness!








Webcomics





Over Christmas, I also read webcomic Princess Princess by Kay O'Neill

This is about two princesses who are faffing around a magical kingdom, challenging gender norms, and falling in love with each other.

One of the princesses is black - so there's a strong person of colour (PoC) lead too 😄



Princess Princess: Ever After (to give it it's fancy in-print title) is also available in printed format (UK - US.)





Princess Princess: Ever After cover








Other Stuff



Over on Women Write About Comics, Sergio Alexis wrote an awesome recommendation list of webcomics.

And just for the awesomeness of it all, all the comics they recommend are diverse!





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For anyone who doesn't know, 'Women in Refrigerators' or 'fridging' is a phrase that was invented by comics artist Gail Simone for unnecessary acts of violence against women in comic books - often used as a plot device to motivate the male hero.

The origin of the phrase was an infamous storyline where the Green Lantern finds his girlfriend murdered and stuffed in his fridge by a super-villain - apparently just to make him angry.

Valente's book plans to give a voice to fridged women - and it looks incredibly poignant, and undoubtedly awesome.





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Along with America Chavez, Marisol Rios De La Luz aka La Borinqueña, is an awesome step forward for Latinx superheroes.











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Wednesday 28 December 2016

7 Hacks for Completing the Goodreads Challenge in the Final Days

For those of us who haven't finished our Goodreads challenges for 2016, the time has come to take more creative measures.

There is cheating, which is bad, and there is acceptable cheating - which is good.



Don't Panic stamp





So here are my hacks to help you towards your reading target for the year:





Thursday 22 December 2016

Review Time! (Graphic Novel Edition!) - Red Sonja: The Falcon Throne



Red Sonja The Falcon Throne Title



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Title: Red Sonja: The Falcon Throne

Red Sonja The Falcon Throne book cover
Author: Marguerite Bennett

Contributors: Aneke, Marguerite Sauvage

Genre: Graphic Novel, Fantasy, High Fantasy, LGBTQ+ (M/F; F/F)

Amazon: UK - USA







A few starting notes:

I received a free digital review copy of this book via NetGalley. NetGalley provides review copies from publishers in exchange for fair and honest reviews.

Ahhhh, Red Sonja - the She-Devil with a Sword.

We come once again, my nerdlets, to the opportunity to review a Red Sonja book (which apparently, as a woman, is beyond my expertise; but it turns out girls can review comics. #TrueStory.)

And to see that this Sonja story had Marguerite Bennett at the helm?

I hardly dared get my hopes up at the prospect of Sonja being given the book she deserved... but I think my fervent prayers to the feminist gods were at least somewhat answered.

Strap in guys, 'cos I got some stuff to say.






Premise:

Hyrkania's king is dying. Sonja believes the kingdom will be better off with someone who... well, basically, isn't her... in charge.

Instead of the She-Devil, someone else comes in to fill the power vacuum.

But will this new leader be a force for good? Or will the prejudices he stirs up become Hyrkania's shame?






Best bits:

WOW. Dudes, this was the Red Sonja book I've been waiting for.

Finally, Sonja is freed from the prospect of painful chainmail wedgies and having to make pathetic doe-eyes at Conan that make her fans (well, some of us,) want to barf.

Instead, we have a still-sexy she-warrior who gets to wear warmer (though still not especially protective) clothes into battle, and doesn't have to worry about rust in her most intimate areas!

(Does anyone else flinch at the idea of non-lined chainmail underwear? *shudder*)

The (in)famous chainmail bikini is the costume male creators and fans have chosen again and again for Sonja; essentially they want an overly-sexualised Barbarian Barbie.

But as Sonja makes very clear - NO-ONE owns her!






red-haired woman






There's also a clear political message throughout this book - hatred against people who are different to you goes against everything that makes us human.

Sonja is revolted by the clear bigotry and outright racism that creeps into Hyrkania, and even more revolted by the support this bigotry has from the people.

Instead of a strong female leader, they have a douchebag bigoted dude. Kind of timely, don't you think?

Sonja's bisexuality is not ignored here: too often, Sonja's character is manipulated to erase her queer aspects - she becomes de facto straight in so many of her books.

But with Marguerite Bennett at the helm, we have a queer woman making sure Sonja is given her dues.

There are also people of colour (PoC) characters with agency, and complexity, and lives of their own.






Not so great bits:

Ok, so, my main problem with this book is that it comes dangerously close to White Saviour territory.

For those who don't know, the White Saviour trope is where a white person comes along and rescues the PoC characters - the implication being that they couldn't possibly rescue themselves, and need a white person to come and do it for them (which ofc is utter sh**.)

This trope reinforces the ugly idea of white superiority, and places PoC in a position where they are never the hero, only the victim.

Here, the PoC characters are pretty much doing things for themselves, but the final save-the-day business is achieved by Sonja - the white heroine and symbol of inspiration.







sword stuck in the ground







It all plays out a lot more complexly than just white-girl-saves-PoCs, but... I'm not saying this necessarily goes over the line, but we can certainly see the line from here, y'know?

And even seeing the line is worrying guys. I don't want to be anywhere near that line.

Parts of the plotting in general are... confused? Maybe? It just feels a bit hectic and out-of-control in places in terms of plot.

Maybe this is a side-effect of trying to make the plot twisty and action-filled, when really, all that was needed was to follow the characters' lead.


There's a bunch of gore and violence pretty much everywhere, swearing, and some non-explicit sexual content.






Verdict:

We verge uncomfortably close to white saviour territory here (*squints suspiciously at book*) and that's not cool.

Aside from that, though, this is the Sonja book her (true) fans have been waiting for - she kicks butt, looks sexy, but never betrays her character or her dignity.

Bennett's Sonja is strong. Bennett's Sonja is my Sonja, finally brought to the page.

This book is a major step-forward for the character. I just hope it can be built on and improved in the future.









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Tuesday 6 December 2016

Month in Review(s) - November 2016

November; the month in which the USA decided to make the UK's stupid political choices look relatively intelligent in comparison.

All we did was leave the EU... maybe... with no real plans, and a strong sense that nobody WAS LISTENING TO THE INFO ABOUT WHAT THE F**K THEY WERE VOTING FOR.

America decided to go bigger, and elected Trump. *sighs*











Still, we are so, so, so sorry America. We did let Farage faff around your country spreading his toady hatred by campaigning for Trump.

He's now wrecked two countries and potentially the whole world - maybe we shouldn't have given that man a passport.






But, my dearest nerdlets - if you're scared, if you're feeling hurt or alone, please understand this: THERE ARE PEOPLE ACROSS THIS ENTIRE PLANET WHO LOVE YOU AND ARE THINKING OF YOU. I promise.





On the personal side of things, my depression hasn't been as bad as it was last month (woo!) so that's got to be a good thing.

And my blog hit over 45k pageviews, followed by over 50k pageviews in the early days of December!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!






But what about the books?

Well my nerdlets, here are the books I reviewed in November:





New Adult




Eyes of Persuasion by Adrienne Monson - Novella, Fantasy, Historical Fiction*, Crime*, Romance (M/F)* (*ish)





Adult







God Help the Child by Toni Morrison - contemporary, magic realism* (*ish)
Giovanni's Room by James Baldwin - classics (modern,) LGBTQ+ (M/M; M/F)
The Song of Achilles by Madeline Miller - LGBTQ+ (M/M; M/F,) Mythology, Historical Fiction*, Mythology*, Magic Realism* (*ish)





Graphic Novels




Who Killed Kurt Cobain?: The Story of Boddah by Nicolas Ortero - biography, contemporary, magic realism, non-fiction* (*ish)














Saturday 3 December 2016

Charity Reading Challenge Update - November 2016

It's been a long time since I've been able to do an update for this challenge. Luckily, this month, I can!








Host: Becky's Book Reviews
Duration: January 2016-December 2016

The Challenge:

'Read for a good cause!

Buy books at a charity shop, or, even a friends of the library book sale, or, donate a certain percentage of money for each book you read for the challenge.

You can choose your own goal of how many books to read, what charity you'll be donating money towards, how much money, etc.'

The full rules can be found on Becky's Book Reviews here.

My sign-up post can be read here.






November 2016

Number of books read so far: 3/10* (*total revised down to 10 from 20 - because I just wasn't going to make 20!)

This Month: 1





Title: Airport: Code Red by Michael White & James Patterson

Price: £0.25

Charity Helped:

The Red Cross -

The Red Cross does so much excellent work that it's hard to pin it down to one sentence -

they're there for crises big or small, providing emergency relief, aid, medical care, and tackling loneliness, protecting refugees, and training people in first aid.

Check out their website @ redcross.org.uk

They are active both within the UK and internationally

You can shop with The Red Cross on the high street, or on their online gift-shop here.

You can also donate directly (inc. to specific appeals) here.




My Thoughts on the Book:

I don't say this often. But I'd advise pretty much anyone to not read this book.

It's hugely Islamophobic from start to finish. I was hoping for something - anything - to provide some sort of counterbalance. But no.

What we have here is flimsy stereotypes and racist tropes, combined with a totally offensive scene where the Qur'an is thrown across the floor for no purpose other than antagonising a terrorist. Islam and terrorism is treated as one and the same throughout.

And we also have a good slab of sexism - just because.

The only reason I finished this book is because it's short and I'm woefully behind on this challenge. Save yourselves the pain.

I honestly can't believe a book published in 2016... strike that. It's 2016. *sigh*

I won't be buying any more James Patterson books 1st hand - charity shops only, even if I do read any of his others.

And this is going straight back to the donate pile. Maybe it can do some good there.


Total money raised for various causes: £4.49


Charities Helped: Fund for a local child, Oxfam, and The Red Cross.







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