Showing posts with label ya. Show all posts
Showing posts with label ya. Show all posts

Wednesday 1 March 2017

Why I'm Hesitant To Read Maggie Stiefvater's Raven Cycle

(Warning: this post contains a fast-moving gif which may cause problems to those with light-sensitive medical conditions such as migraine or epilepsy.)



It's St. David's Day - so what better time to finally give you all the low-down on why I'm hesitant, as a Welsh person, to read Maggie Stiefvater's Raven Cycle.

OK, before we get into the 'but you haven't read it so you can't judge it!' sh**, these are the reasons I'm hesitant to read it.

I may eventually read it. If I can bring myself to. One day.

(And if that day should ever come, I'll tell you what I think! But don't expect me to be overly happy with it - see my reasons below.)







And honestly, if you liked the books then that's fine - dudes, I have zero problem with you liking what you like.


This is just me explaining a few things that annoy me about this series.








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OK, the number one problem is the name Owen Glendower. It should be Owain Glyndŵr.

What's the difference? Anglicisation my friends, which is offensive - especially when it comes to a real historical figure and freedom fighter like Glyndŵr. (More on the man himself later.)

I'm not as bothered by the changing of Owain to Owen - it should be Owain, but Owen and Owain are somewhat interchangeable. So I'm willing to give Stiefvater leeway on that point.








The Glyndŵr to Glendower though? *shudders*

I should explain that Maggie Stiefvater was asked this very question on Tumblr in 2015, and answered in a way that suggests to me that she doesn't understand the culture she was writing in this series.








Glyndŵr means (roughly) 'water banks.'

It's a common Welsh naming tradition (or was) to be given a name related to where you live.

Glendower is gibberish. It has no meaning in the language, it's just a corruption to make it more palatable to English people.

I know that not many of you have ever spoken Welsh or pronounced Welsh words, but trust me, Glyndŵr is a natural flow. 'Glendower' is a tainted jolt to the system.









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''Glendower' is a tainted jolt to the system...'  Click to Tweet











But what about what Stiefvater said on Tumblr about us not knowing Glyndŵr's 'true' name?

What Maggie said:

'Interestingly, Owain Glyndŵr wasn’t necessarily even the true name of our recumbent king. He’s also known as Owain ap Gruffydd or Owain Glyndyfrdwy, and centuries of historians have used all versions interchangeably, sometimes within the same document.'

In honesty, her response troubles me. Because she clearly has no understanding of Wales or Welsh history.

Until the 19th Century (1837, actually,) across the whole of the UK, there was no such thing as a legal name, because there were no birth certificates.

Glyndŵr lived in the 14th and 15th Centuries - which was before all that civil registration stuff.

Even after the 19th Century, the Welsh had legal names, and then, sometimes, other names - all of which are 'true' names.









picture of Cardiff castle keep with Welsh flag










The first name she mentioned, Owain ap Grufydd, is a patronymic.

For a start, it should be Gruffydd, not Grufydd - f and ff are different letters in Welsh.

Owain ap Gruffydd means Owain, son of Gruffydd. It literally means his father was Gruffydd.

It's perfectly acceptable to have this name and another name, and the patronymic system is still used by some today, with or without it being written on their birth certificate.








Owain Glyndyfrdwy is a more specific geographical name.

Afon Dyfyrdwy is the Welsh (and original) name of the now-Anglicised River Dee.

Remember how earlier I said his name meant 'water banks' - this version of the name is just being specific about what water. It means 'the banks of the River Dee.'

It may be difficult for non-Welsh people to understand, but the surname Glyndyfrdwy, in this instance, is the same as the surname Glyndŵr. Glyndŵr is just the short version.








But Stiefvater didn't use Glyndyfrdwy, or ap Gruffydd. She used Glendower.

So, apparently she knew there were three names, and added the fourth - offensive - name instead.

True, as she points out, she was by no means the first. But Shakespeare wasn't Welsh either. And that she should be so ignorant of what the Anglicisation means makes me worry for the actual books.

Oh and English-speaking Welsh people? We don't generally call him Glendower. Only English people, who haven't yet been slapped repeatedly with a slice of bara brith* been taught better, call him that.

*bara brith is kind of a fruit loaf... it's a special kind of bread, basically - it's really nice.







So, what's the problem with Anglicisation anyway?

Look, I get it - Welsh is difficult to pronounce.

We have funny extra letters like 'Ll' and 'Ng' which should not be attempted without instruction, but English is a freaking weird language too (and I'm saying this as a first-language-English person.)








The problem with Anglicisation is that we are not English.

And Anglicisation marks every moment we've had to change our own language, just to suit the English.

It's a reminder of our history - of every time a kid was caned in school for speaking Welsh, every time the language was claimed to be literally making us stupid, every time a Welsh name was changed because we're not in charge in our own country.

And yes, we've had to change our names. One of my ancestors was named Dafydd Sion. On every official document his name is David John. Welsh names often weren't acceptable to English officials.

Our language has been suppressed, changed, and ridiculed. Because the English invaded several centuries ago, and haven't let us forget it since.










(Every Welsh person ever, every time someone calls us English)











Look, like most in the South, I have more than a few drops of y Saeson running through my veins.

But I was born here. I am Cymry, not Saeson.

I have a fair amount of Cymry in my veins too, but I speak Saesneg, and only a little Cymraeg.

The reason? My grandmother's parents - both fluent Cymraeg speakers - made the decision that their children would never get on in life if they were first-language Welsh.

Welsh was seen as a language that literally made it's speakers stupid. Even now, if you want to sound 'posh' or 'professional,' what people mean is 'sound more English, sound less Welsh.'

And first language Welsh often leaves the odd cue in the accent to show that it's there - 'eu' pronounced as 'ew' etc.

Therefore, to bring a child up speaking Welsh could leave an inflection, even when speaking English, and it would be possible to be passed over for jobs, promotion, etc., just because of that.









Anglicisation is especially irritating and frustrating when it comes to Glyndŵr, who was fighting to free us from English rule.

Do you get that? He was a rebel, a self-declared prince. He wanted freedom from the English.

He called a parliament at Machynlleth (no, don't attempt to say it unless you've heard it said, you'll just hurt yourself! 😉) and wanted self-governance for the Welsh people.









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'He was a rebel, a self-declared prince...'  Click to Tweet











Owain was also NOT a king.

The closest there has been to a King of Wales was Hywel Dda in the 10th Century, but he did not rule Morgannwg.

What we had were princes - occasionally called kings of their individual territories.

The prince with the most land, and therefore the most ability to moderate between all the others, was the Prince of Wales.

The last True Prince of Wales was Llywelyn ap Gruffudd, Tywysog Cymru.

Owain was a self-declared Prince of Wales - had his rebellion been successful, perhaps he would have been confirmed as prince in truth, but it wasn't to be.








daffodils










But wait, isn't Prince Charles the Prince of Wales?

When Llywelyn was murdered by the English crown, the English king transferred the title to his own son. The heir to throne has held this stolen title since that time.

Prince Charles is not the True Prince of Wales.







OK, let's look briefly at my other problems with this series:

The Goodreads synopsis of The Raven Boys says:

'“There are only two reasons a non-seer would see a spirit on St. Mark’s Eve,” Neeve said. “Either you’re his true love . . . or you killed him.”

It is freezing in the churchyard, even before the dead arrive.

Every year, Blue Sargent stands next to her clairvoyant mother as the soon-to-be dead walk past. Blue herself never sees them—not until this year, when a boy emerges from the dark and speaks directly to her.'








I have no idea why the St. Mark's Eve stuff is there (what even is that?), but it's totally possible for 'non-seers' to see spectres.

OK, we're traditionally big on divination here. It looks like Stiefvater has smashed some of our divination rituals into a phantom funeral and hoped for the best. *face palms*








Also, Neeve, as a name, is a) Irish, not Welsh and b) spelt Niamh.

And none of the rest of the names that I've seen seem in any way Welsh or British - they're more something you'd find in America or Ireland.

Sorry. Nitpicking I know, but it's the kind of thing that would really bug me if I read the books.

Ooh! Someone online briefly mentions a Gwenllian? That is a Welsh name - a good, strong, girl's name, meaning (very roughly) 'sacred brook.'



Update: Apparently most of the book is set in Virginia, so I'm even less bothered about the other names now.




I don't know how Stiefvater uses ravens here... but I'm wary.

Birds, and the crow family in particular, play a large part in our folklore and mythology. They are the way between worlds, often magical, and should be respected.

Quite often, they're also people. Or warriors. Or Fair Folk. Or even (if you go back enough in our traditions) gods or goddesses.

I actually really liked the way Miss Peregrine's Home For Peculiar Children used birds, because it was respectful of our traditions, as well as putting Ransom Riggs' own spin on things - I loved the way he used shifters as guardians.

From what I've seen of the way Stiefvater understands, or doesn't, as the case may be, Welsh culture, I'm hesitant of how she'll handle brain (crows - of any and all types) in her books.









Maybe you think I'm making mountains out of mole-hills - but things being incorrect like this is likely to bug me the whole time I'm reading.

(Plus, could she not have added a historical note?! I mean, dude, really!)





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Monday 23 January 2017

My 7 Top Picks of 2016's Books

(This post contains a flashing/fast-moving gif which may cause problems to those with photosensitive medical conditions.)


2016 wasn't 100% bad - just, like, 85%, or something. Anyway, there were some pretty awesome books!

I've purposefully picked books with 2016 release dates here - but I should point out that I also read some pretty great 'back-list' (pre-2016) titles during the year, they're just not on the list.




trophy post-it







So, these are my picks of books released in 2016, that I read in 2016. Everyone got that? Great.

(And yes, I know this post is technically 'late' - but I make my own rules dammit!)













I'm also uber-pleased to note that most of these are diverse books - so anyone who says diverse books are lower quality needs to go and ask themselves some serious questions 😇

They are also all written by women - girls rock!





Here we go then (and in no particular order, because I am a wuss who can't rank books over each other):




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Nina Is Not Ok by Shappi Khorsandi


Nina Is Not OK book cover

Amazon links: UK - US




For my international readers (and boy is that a phrase I'm never going to get used to,) who may not have heard of her, Shappi Khorsandi is an Iranian-British comedic genius.

Her first novel though, is not light-hearted. It's not funny. It's not for the faint of heart. And it's freaking incredible.

Seriously, this is one that I'm sooooo happy I had a digital review copy of, because I was so privileged to be one of the first people to read it.

Since then, I've basically been like 'read the thing!' whenever it's been possible to recommend it.

And I'm clearly not the only one, since it was recently nominated for the inaugural Jhalak Prize - though Khorsandi unfortunately withdrew the book from the longlist out of concern that drawing attention to her ethnicity might alienate white readers.

It's a disappointing decision, but it's far from my place to tell a person of colour (PoC) how to market their own book.

And it really is a fantastic book guys! You can see my full review here.






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Swan Boy by Nikki Sheehan


Swan Boy book cover

Amazon links: UK - US




Nikki Sheehan is a definite talent. I can't wait to see what she comes up with in the future.

Swan Boy is a remarkably artistic and lyrical kids' novel (middle grade/MG) and it's just... a stunningly beautiful read.

Honestly, it's amazing.

Check out my full review of Swan Boy here.






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Blood Stain, Vol 1 by Linda Sejic



Blood Stain Vol 1 cover

Amazon links: UK - US




Linda is an amazing person who writes awesome and oh-so relatable comics that make me laugh and bring me smiles when I need them.

You will love the hapless Elliott as she tries to make her way in this bizarre world of adulting (and she has levels of clumsiness and bad luck that most of us will recognise!)

You can see my full review of Blood Stain, Vol 1 here.






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Monstress, Vol 1: The Awakening


Monstress Vol 1 book cover

Amazon links: UK - US




ORHGUIREJNGOIRGHNKETMNHOEIROIJTGGWMKRNGHTOI!!!!!!!!!!!!!!!

There are very few books which I consider '5 star' books guys.

(And I have issues with the arbitrary and restrictive nature of star ratings anyway - which is why I don't use them on this blog!)

But, if there is such a thing as a five-star book, then THIS IS A 5 STAR BOOK.

It has everything - fantasy, world-building, a disabled Asian protagonist, and stunning artwork.

And I want to adopt the small fox child. Soooo cute!

The ladies in charge here - Marjorie Liu and Sana Takeda - have a lot to be proud of.

You can see my fangirling ramble review here.





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Santa Muerte by Lucina Stone



Santa Muerte book cover

Amazon: UK - US


One which I haven't reviewed yet (but I will dammit! I will!)

Santa Muerte is an awesome-sauce first instalment in a new-adult urban fantasy series by the lovely Lucina Stone.

What is urban fantasy? It's only an uber-incredible sub-genre of paranormal and fantasy that involves paranormal-types faffing about in cities and/or towns!

Add in the focus on brujas (witches,) and a chatty prose-tone (that's totally a phrase now. Shh,) and what more do you want?!






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Luna the Vampire: Grumpy Space by Yasmin Sheikh


Luna the Vampire book cover

Amazon: UK - US




Do you want grumpy internet-style humour with bright colours and a millennial attitude? Of course you freaking do!

Seriously, Luna makes me smile. And will make you smile too.

Check out my review here.







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Labyrinth Lost by Zoraida Cordova



Labyrinth Lost book cover

Amazon: UK - US



Another bruja book, although a lot different to Santa Muerte, Labyrinth Lost is the beginning of a YA series about a bisexual Brooklyn Latina girl, Alex, who has a big mess to clean up.

This one is so involving, and those of you looking for a new YA obsession and/or fandom need look no further!

You can see my review of Labyrinth Lost here.












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Friday 20 January 2017

#DisabilityDiaries2017 | Review! - Jerkbait by Mia Siegert



Jerkbait title image


flowers flourish








Title: Jerkbait
Jerkbait by Mia Siegert book cover
Author: Mia Siegert

Genre: Young Adult, Contemporary, LGBTQ+ (M/M,) Magic Realism* (*ish)


Amazon: UK - USA









A few starting notes:

A bunch of people have recommended this; you've got mental health representation and LGBTQ+ representation, so yeah, I was gonna read it!

For a great review from a queer male reviewer, check out Naz @ Read Diverse Books' review, which was the first review I think I read of this book (and is awesome.) 😄

In the interests of balance and all cards on the table, here's a Goodreads review from someone who really didn't like this book, and had some valid points about the representation.




Monday 16 January 2017

#DisabilityDiaries2017 | Review! - Unspeakable by Abbie Rushton



Unspeakable title image




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Title: Unspeakable
Unspeakable book cover
Author: Abbie Rushton

Genre: Young Adult, Contemporary, LGBTQ+ (M/F; F/F)


Amazon: UK - USA





A few starting notes:

If anyone with, or with first-hand experience of, selective mutism or OCD, has reviewed this book, please let me know - I'd love to leave a link to your review.

I'm not sure how I feel about this book.

There were parts of it I truly loved and parts which... I just wasn't comfortable with. There are a lot of problems with this book.

So prepare yourself nerdlets, we're gonna discuss some sh**.

(Seriously, if you need the loo or whatever, go now and come back, because once I've started I'm not stopping.)





Premise:

Megan hasn't spoken in months. Because there are things people don't know - things about the day when everything changed, the day she stopped talking.

But then Jasmine started at school. Beautiful, bright, bubbly, Jasmine... and for the first time in a long while, Megan might just want to talk again.





Best bits:

I loved that Megan's problems aren't simple.

Too often, depictions of mental health problems are put down to textbook examples, and left there.

The truth is that everyone's problems affect them differently, and that sometimes conditions combine to have a joint effect on someone's life.

I also liked Jasmine - I've seen a lot of criticism of her character, but I liked her. Yes, she's pretty idealised. But she's also not perfect.

And, honestly, the hope that there are people like her in the world - people who will accept you as you are - is not a bad thing. If you're a queer teen, and/or a teen with mental health problems, that hope might just be a lifeline.





girl silhouette






I also thought the relationship between Megan and her mother was realistic and beautiful. They struggled a lot with how to relate to each other, but there's an amazing undercurrent of love between them.

And that part of Megan - written in bold, large, italics - which tells her she ruins everything, which she has to push past, push against, push through? Yes. I've been there. And it felt... real.

It's also exceptionally readable - the prose is skilled and involving throughout, and you really do want to know what happens.

There's just a lot of heart to this book, y'know? And that's great.





Not so great bits:

First things first, there's a lot of potentially distressing/difficult to deal with content, here:
  • grief
  • mental health problems
  • low self-esteem
  • anxiety
  • implied OCD
  • selective mutism
  • bullying
  • anonymous threats
  • guilt
  • violence
  • arson
  • animal cruelty/violence to animals
  • attempted suicide
  • homophobia
  • ableism
  • poverty
  • physical abuse from a parent
  • implied domestic abuse

There's also some swearing, drink-driving, and underage drinking (which you shouldn't do, in case you were wondering.)

I have problems with this book, nerdlets, both in terms of queer representation, and mental health representation.

Let's start with queer rep:

Megan, who is lesbian (although the word is never used, at least not as an identity rather than a slur, she has no attraction to men/boys,) goes on a date with a boy - Luke.

Now, it's entirely true that sometimes questioning lesbian teens go on dates with boys - BUT A NON-LESBIAN WOMAN WRITING THIS JUST FEELS FREAKING AWKWARD.

I don't know Abbie Rushton's orientation, but she mentions her male fiancée in the acknowledgements, so at the time of writing she didn't identify as lesbian.

The whole date felt a) forced and b) a gimmick - 'look! She's not attracted to him! Look at the lesbian!'

She also has Megan kiss Luke and enjoy it - again, if Rushton were lesbian and understood the issues at play here, then fine.






clasped hands





As it is? I don't think she understands enough to be writing these things in. #SorryNotSorry.

That whole plot-point just feels unnecessary and awkward.

Oh, and there's a male character who only exists for the homophobic bullies to pick on. We're not even told if he's actually queer, and we learn nothing about him as a person. #JustNo.

Now for the mental health rep.

This is disappointing, because there is good mental health rep here, but there's also poor mental health rep:

  • Megan's implied OCD is never addressed - we don't know if this is something she had prior to the traumatic event or not, and it just peters out as the story goes on.

  • [Luke's] mental health problems are both skirted over, and scapegoated. Everything's fine because we shoved [him] in a psych ward! The other crazy person did it! Not the 'good' crazy person. *Sighs*

  • Her psychologist acts like a douche. I don't mean just pushes her to explore her problems. I mean he intentionally upsets her. And somehow acting that out of line is ok, and he's some kind of saint in comparison to her 'out of order' response. The message this sends is... troubling.

  • Love cures mental health problems. Ugh. So sick of this. Love is not all you need guys, sorry.

  • Selective mutism is rarely a result of traumatic events*, and certainly the way in which Megan's mutism descends at the event, fully formed, and stays more-or-less stable until Jasmine shows up...? I have a limited knowledge of mutism, but this seems reductive and unrealistic to me. Please correct me if I'm mistaken; like I said, my knowledge of this is limited.

  • Sometimes the impression is given that Megan could speak if she wasn't trying to hide what actually happened. This isn't clear-cut, but is definitely something to keep an eye on. 👀





two girls sat on a bench





*where it is the result of traumatic events, it's usually a symptom of PTSD. PTSD is never mentioned in the book, and if this was the author's intent, then I don't feel it was put over clearly enough.






Verdict:

Do I know how to feel about this book now? Nope.

Look, part of me was just really connected to a queer girl with mental health problems... please don't judge me for that.

And parts of this were good. But the representation fell down on more than one front.

That's fine if everyone's going into this with eyes wide open... but there are so many misconceptions about mental health and being queer out there already, that it could do more harm than good.




Buy Now UKBuy Now USAGoodreads







  





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Saturday 14 January 2017

#DisabilityDiaries2017 | Harry Potter and the Representation of Scarring

(Flashing Images Warning: there are some gifs with flashing images in this blogpost which may cause problems for those with photosensitive conditions such as epilepsy or migraines.)



Let's kick off Disability Diaries 2017 with something a little different. Let's talk about scars.

(The lovely Ely @ Tea and Titles came up with the idea of Disability Diaries - a week long event running from 14th-21st Jan 2017, discussing disability, books, and disability in books. 

Ely, myself, Angel @ Angel Reads, Dina @ Dinasoaur, Jolien @ The Fictional Reader, and Lara @ Another Teen Reader are running it.)












Scars. A physical sign of illness and injury. Not a disability, but often an indication of one, and often made into one by the way society treats them.





I have a lot of scars.




My scars are mundane - sorry, but there's no cool story of danger and adventure, neither is there any trauma you can romanticise.

But I'm covered in lines of silver, purple, and pink.

I scar easily - my skin is 'sensitive,' which is another way of saying 'my skin reacts to numerous substances and allergens, because my immune system treats them as a threat.' But that's not as pithy, I agree.

My skin also takes a long time to heal. So a simple scratch from my cat may leave a reddish purpleish line for 6 months or more.





So, with my variety of permanent, semi-permanent, and temporary scars, I notice the way we portray scars, in books and elsewhere.

Guess what? Society and media is cr*p at representation of scars. And for someone with low self-esteem (hello there! 🙋) it can have a really negative affect on how you view yourself.





Shall we take our most well-known scarred hero as an example?

(And I'd like to just point out that, like most people, I love Harry Potter and simply want to use this as an example to discuss scarring. It's really not an attack on anyone's enjoyment of anything.)















What do we know about Harry Potter's famous scar?
  • it's lightning shaped
  • it's the result of a magical curse that rebounded
  • it's on his forehead
  • it gives him magical Spidey-sense to let him know when Voldemort's faffing about
  • it's permanent




And what does that tell us, my nerdlets, about the representation of scarring here?




His scar might be shaped like a lightning bolt, but it's a clean line.

Scars are often jagged, uneven, and/or unsightly.

Rowling falls into the trope of Good Scars vs Evil Scars - good scars, the kind heroes get, are either attractive or barely noticeable.

They are clean lines, as if made by a precision instrument, and healed evenly.

The villains get to have 'scary' jagged or unsightly scars, to show that they're evil inside and out (*sighs*.)













It gives Harry a dramatic backstory.

It's a sign that he's 'the Chosen One' - it's derring-do and noble-suffering bound into one little line on his head.

And, just to be handy, it never dries out and flakes in the winter, forcing him to use non-heroic moisturiser.






Harry's scar is easily hidden.

Harry wears his hair long to hide his scar. While I would defend the right of anyone with a scar to either hide it, or display it, as they choose, why does Rowling choose to hide Harry's scar?

Is it, perhaps, because society sees facial imperfections and scars as something shameful, some sign of corruption? 

By hiding his scar, he can hide his imperfection. Rowling's hero is flawed, but not where anyone can see it.

But guess what? Scars are ok. They are not a corruption, or a flaw of character. They are simply damaged skin.







Harry's scar 'aches.'

OK, I'm about to blow your mind - SCARS DON'T HURT. Yes, yes, magic and all that. But scars have limited pain receptors.

Unless you cut through all the skin layers, they will very rarely actually hurt. The skin around them might ache or hurt, especially if they've dried out and tightened, but the scar itself? Not usually.

Scars are simply the result of collagen healing the skin. Yeah - collagen, that stuff they put in dermal fillers? Very few pain receptors.







And Harry's scar has magical Voldy Spider-sense.

Granted, this is handy plot-wise, and has the added 'oh, poor Harry!' effect that Rowling was clearly going for.

But what is this saying, really?

That scars are a constant reminder of the bad parts of your life and your past? That physical scars and psychological ones are directly linked?

That scars have to be (as Dumbledore says) 'useful' in order to be present on a hero instead of on a villain?













Scars actually change over time, you know that?

They can change vastly for about 2 years after the injury or other damage to the skin, and can change in appearance after that as your body ages.

You wouldn't think that, given that scars in so many books etc. are either healed completely within a week or two, or permanently in a specific state for the rest of the character's life.



If your character ages, their scar should too.

Stretch marks in particular will silver as you get older (and no, stretch marks aren't just from pregnancies - they also occur in growth spurts, and sometimes around injuries where the skin has had to grow more quickly than normal in order to heal the wound.)

I have a small indented scar above my eye from where I had some face-time with a table aged six (it had staples sticking out of it, and accident-prone Cee over here just had to connect with the stapled portion of the table.)

It looks different all the freaking time. If I'm tired, it really stands out. Some days, it's barely there at all. Skin is stretchy and crinkly - especially on your face.






So, there I am as a kid, reading Harry Potter, and wondering why the hell his scar looks the same all the time? Why doesn't it flake? Why is it aching, but never pulling with skin tightness?

Facial skin moves a lot, and you know those lines you get in your forehead when you're making expressions? They should've made Harry's scar look different all the time.





Ms Rowling chose to give Harry a facial scar, yet doesn't seem to know what that entails.

I would've loved it if he wandered down to Madame Pomfrey every now and then in winter to ask for lotion of some kind.

Or maybe a description of the weird feeling of not-feeling when you move a joint or a muscle (like, in your forehead, for example) with a scar overlapping it?





Don't get me wrong, I have nothing against Harry, or against J K Rowling. It just would've been nice if, when writing a kid with a scar, she thought about what that was like.





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Friday 16 December 2016

Friday Fics Fix - A Not-So Jolly Christmas with Draco and Harry

One of the main issues many people had with Harry Potter and the Deathly Hallows was the complete lack of explanation of life between the last chapter and the epilogue.







Basically, the big question mark is how exactly the Wizarding World got stuck in and started to reinvent itself - to come to terms with a life after the Battle of Hogwarts.






This week's fic imagines a sort-of 'what if' scenario.

What if, due to the lack of general education most of the students had in that last year, they returned the next year to catch up with their missed studies?

What if Harry Potter returned to Hogwarts... and so did Draco Malfoy?










Because there was so much opportunity to explore what happened to Draco. How did he cope with... well, everything?

And this fic explores that.

And it turns out he didn't cope all that well - which is probably reasonable!






A few warnings: much swearings, much the dark and angsty stuff, and some obsessive behaviour that is NOT HEALTHY in either relationships or friendships.

There's also what can only be described as some sort of Magical Fight Club. #JustSaying











This is the first in a series, and is based around Christmas (woo! Christmas! Lol.)

The implication is that, in future instalments of the series, Draco and Harry (often known in combination as Drarry (#IKnowRight?)) will have something romantical going on, but in this fic, we just have the beginnings of a frenemies bromance a la Magneto and Professor X.





There's also a few typos in there, but it's generally worth it.




This week's fic then, is:

Dark Days of Christmas by Belle_Lestrange101



Enjoy, and have an awesome Christmas my nerdlets!






Friday Fix Fics will return on 6th January 2017










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Tuesday 1 November 2016

Month In Review(s) - October 2016

October is over!!! And I'm sure most of you are currently stuffed with sweets and/or chocolate from Halloween.

So, without further ado my dearest nerdlets - let's get this wrap-up started!









October was a pretty cr*ppy month for me, depression-wise, but I'm lucky enough to have a) family, b) The Bestie, and c) all of you guys.

Seriously, I appreciate you guys a butt-tonne! You make me smile :)





And even though someone who I once considered cool - a fellow bookworm in fact - unfollowed me when I tweeted about LGBTQ+ things, the number of people actually doing that has reduced from what was happening last month.

This is possibly because I've put Sexually Fluid/Queer on my Twitter bio - so the a*shole bigots probably aren't following me to begin with.






And the very lastest day of this month saw my two-year blog anniversary! And with over 40k pageviews over all, and over 7k pageviews this month, DORA is still going strong (and I'm so surprised and happy, you honestly wouldn't believe it!)






So, to the books I reviewed this month:




Young Adult




Lies We Tell Ourselves by Robin Talley - historical fiction, LGBTQ+ (F/F)




Adult




Star-Shot by Mary-Ann Constantine - magic realism*, sci-fi* (*ish)



Comics/Graphic Novels





Bread and Butter #1 - contemporary