Really Mini Reviews! - 3 Contemporary F/F (Lesbian) Romances

It's funny isn't it, how there seems to be a lot more support for M/M romance than there is for F/F romance?

That's not to say that M/M romance doesn't deserve support (it totally does!) but F/F romance shouldn't have to linger by the wayside.

Now, I have a habit of reading... pretty much anything I can get my hands on, which includes F/F romances, of course!

But I also tend to go for cheap/on-offer, and free books where possible (I'm broke dammit!) - so in this post, I review 3 short (novella/short story) contemporary F/F books that I managed to snag as freebies. (Woo!)

All three of these books are classified as lesbian romances; there isn't an awful lot of non-lesbian F/F romance out there, which is another reason F/F romance needs more support!

'3 F/F lesbian romances!' Click to tweet

Title: Flashbang

Author: Lee Winter

Verdict:

OK, this one is 18+ only guys, on account of sexy-times.

This is about two journalists at a glitzy Hollywood party.

To be honest, there's not much plot – it's a short pre-sexy-times scene, followed by a sexy-times scene.

But it actually feels really... intimate, and lovely.

It's got real heart, and it's a small snapshot of a relationship that clearly means a lot to the characters involved.

Goodreads – Author's Site

Title: The Morning After

Author: Jae

Amazon: UK - USA

Verdict:

This is really sweet, fluffy, and enjoyable.

Kathryn wakes up at a strange apartment, with a hangover, not remembering much from the night before.

I really loved the stomping all over stereotypes, and the realistic characters, in this.

I also love the conversations between our main characters, lesbians Kathryn and Michelle, and the whole sweet 'when you least expect it' vibe.

If you're looking for something sweet (but not too sweet,) light, and free of sex-scenes, I really recommend this one. It's well written t'boot! :)

However, some people might find some of the language used in the opening date scene ableist towards people with mental health problems. ('Psycho,' 'loony,' - that kind of thing.)

I personally wasn't bothered, but I can see why it would bother a lot of people.

Buy Now UK – Buy Now USA – Goodreads – Author's Site

Title: The Sexy Librarian

Author: Nicolette Dane

Amazon: UK - USA

Verdict:

This one is also 18+ on account of sexy-times.

This was actually less trashy than the title would suggest (or than the cover would suggest...)

There's actual plot here! (Which I know from M/F romance/erotica, isn't always the case!)

Don't get me wrong though – there was still a lot of graphic sexy-times!

What I loved about this one though (aside from the romance stuff) was the real love for books and reading in general that shone through the writing. That was awesome.

Not so great was the occasional... odd verb choice... when it came to the sex scenes. It wasn't terrible. It was just... a bit odd.

Perfect indulgence reading though.

Buy Now UK – Buy Now USA – Goodreads – Author's Site

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• Mini-Review! - Oranges Are Not The Only Fruit by Jeanette Winterson
• The Bookish Diversity Link List 2017
• My Contemporary YA TBR

Review Time! - Santa Muerte by Lucina Stone

Title: Santa Muerte

Author: Lucina Stone

Genre: New Adult/NA, Paranormal, Urban Fantasy, Witches, Vampires*, Werewolves*, Historical Fiction* (*ish)

Series: The Daniela Story #1

Amazon: UK - USA

A few starting notes:

I received a free digital review copy of this book from the author, Lucina Stone, who I'm in contact with on Twitter.

This does not affect the content of my review; my review is fair and honest.

I agreed to read this with only the vaguest of notions of what it was about - I had read Naz @ Read Diverse Books' review of it, but had mostly forgotten about it by the time Lucina Stone contacted me.

I definitely didn't realise that it was urban fantasy - so that was a pleasant surprise!

I love urban fantasy - a subgenre of paranormal which involves magical-type-people (witches, vampires, etc.) faffing about in cities and/or towns in which they have their own societies (sometimes open to human society, sometimes hidden.)

It's strange, really, since I don't like cities in general - too much of a rural kind of girl. *shrugs* But there you have it.

Premise:

Turns out there's more to Daniela's family than she thought there was.

In the year 2030, Daniela sees no end to the pain. Depressed and hurt by an abusive relationship, she tries to take her own life...

...and wakes up somewhere strange.

This can't be happening. She can't be in the 1920s... right?

Dani doesn't get this time period, has no idea about magic, and, with a farm-girl named Daphne in tow, is being chased by a bunch of people who want her dead - or at least in jail.

All she wants is to go home to her mothers, but that seems almost impossible from here...

Best bits:

I love the chatty tone of this book. Stone grabs hold of you and says, 'come on guys, this way!' Which is spot on.

And the time travel element is well done! DID YOU HEAR THAT???? THE TIME TRAVEL ELEMENT IS WELL DONE!!!!!!!!!

Too often, time travel gets unnecessarily messy, or even just plain naff, but not here.

Here we have the reality of suddenly finding yourself in a world full of racism and rigid gender rules (Daniela ends up posing as a dude because of her short hair and trousers.)

And it's an element which is missing from your average time travel plot: the day-to-day-ness of living in that period, especially as a person of colour (PoC) in the USA.

I liked the Mexican variations on the stalwarts of urban fantasy.

All of the different species of the paranormal and urban fantasy worlds - vamps, wolves, witches, etc. are removed from their White European stereotypes and instead seen through the lens of Mexican folklore.

Most notably we have the brujas - the Mexican witches - who are written with skill and intrigue, and are far removed from the average urban fantasy witch-chick (who is normally a white goth-girl and/or biker-chick.)

The depression representation is good overall, devastatingly realistic as a whole - but I did have a minor issue with it, which I'll write about in the next section.

The sense of hopelessness and worthlessness depicted is accurate and heart-breaking, and Daniela doesn't magically get better the moment she ends up in 1923, meaning it's not treated as just a plot point.

And we get a same-sex, lesbian, parenting couple - which is awesome.

Not so great bits:

First thing, as ever, is first, here's the potentially distressing content from this book (hold on, there's some stuff to get through):

• depression
• attempted suicide
• suicidal thoughts
• hanging
• abusive relationships
• low self-worth/self-esteem
• racism
• racial slurs (including the 'n' word)
• the KKK
• lynching
• segregation and discrimination
• sexual abuse
• child abuse
• sexual assault
• rape
• torture
• kidnapping
• burning (as a form of torture)
• attempted murder
• homophobia
• grave-robbing
• missing persons investigation

I think that's everything - v. sorry if I've missed anything out.

There's swearing and violence; if you can handle all the other stuff though... *shrugs*

At one point, the phrase totem pole is used in as a metaphor in a non-native setting, which is seen as cultural appropriation, affecting some First Nations tribes (this piece by Robin R R Gray explains more.)

It was only once, but was still disappointing, and I hope won't occur again in future books.

Also, and this one is more of a personal preference, the relationship between Dani's mothers is referred to as a lifestyle. I don't like this.

I'm aware that a lot of LGBTQ+ people are ok with it (especially from older generations,) but I am personally not a big fan of the term.

But then, a lot of LGBTQ+ people find the term queer very offensive, but I personally identify as both sexually fluid and queer.

I guess you just have to understand that some people will be offended by both of these terms, and you need to examine how and why AND WHETHER YOU SHOULD use them in any given context.

Occasionally it felt like the representation of Daniela's depression was a little bit hit-and-miss, simply because at the times when it wasn't affecting her so much it was almost as if it didn't matter any more.

Honestly though, the representation of depression was, overall, heartbreakingly affective.

Verdict:

This is a great book - a strong foundation for the series, with great characters and interesting paranormal elements.

If you're an urban fantasy fan, this is a must. But those not so familiar with the genre will love it too.




UPDATE 22nd APRIL 2017:

A couple of people have raised issues with the lesbian and depression representation in this book, as well as a few other matters. Some people have equated Dani's lesbian mother having sex with a man with biphobia.

I personally don't agree with the lesbian rep/biphobia criticism - because if anyone knows that sexuality is fluid, it's yours truly. But I see the validity of the points made.

For an overview of the issues that some people have with this book, see C T Callahan's Goodreads review.

I do find C T Callahan more than a little harsh on this book, but you guys all know that I believe in having all the cards on the table so that you can make up your own minds.

Buy Now UK – Buy Now USA – Goodreads

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Month in Review(s) - January 2017

Well, that was January 2017... don't blame 2017 too much, guys, it keeps following 2016's examples.

I'm sure that in time it'll move away from the influence of it's older sibling, who was, let's face it, a freaking disgrace of a year.

2017 though can still be steered in the right direction with the help of intervention programmes, and stopping it from hanging out with the wrong people. We hope.

On a more positive note, this was the month that yours truly, along with Angel, Jolien, Dina, Lara, and our fearless leader, the lovely Ely, ran #DisabilityDiaries2017.

And it rocked. In case you hadn't noticed. ;)

You can check out alllllll of the posts from everyone during the event in this Google+ collection, and most of the posts in this BlogLovin collection.

If I've missed your post out, please let me know! Some of the posts I couldn't add to the BlogLovin collection, because not all of the blogs involved had an account there.

You can also submit your discussion and list posts from the event to The Bookish Diversity Link List 2017.

So, I only reviewed 2 books in January (I know, I know, I need to review more!) and both were for the Disability Diaries:

Unspeakable by Abbie Rushton

Jerkbait by Mia Siegert

My other posts for #DisabilityDiaries2017 are listed below:

Harry Potter and the Representation of Scarring

Nerd Church - No Shame, No Stigma

The Writer Diaries - The Challenges of Writing With Depression and Anxiety

And that's January! :)

#DisabilityDiaries2017 | Review! - Jerkbait by Mia Siegert

Title: Jerkbait

Author: Mia Siegert

Genre: Young Adult, Contemporary, LGBTQ+ (M/M,) Magic Realism* (*ish)

Amazon: UK - USA

A few starting notes:

A bunch of people have recommended this; you've got mental health representation and LGBTQ+ representation, so yeah, I was gonna read it!

For a great review from a queer male reviewer, check out Naz @ Read Diverse Books' review, which was the first review I think I read of this book (and is awesome.) 😄

In the interests of balance and all cards on the table, here's a Goodreads review from someone who really didn't like this book, and had some valid points about the representation.

#DisabilityDiaries2017 | Review! - Unspeakable by Abbie Rushton

Title: Unspeakable

Author: Abbie Rushton

Genre: Young Adult, Contemporary, LGBTQ+ (M/F; F/F)

Amazon: UK - USA

A few starting notes:

If anyone with, or with first-hand experience of, selective mutism or OCD, has reviewed this book, please let me know - I'd love to leave a link to your review.

I'm not sure how I feel about this book.

There were parts of it I truly loved and parts which... I just wasn't comfortable with. There are a lot of problems with this book.

So prepare yourself nerdlets, we're gonna discuss some sh**.

(Seriously, if you need the loo or whatever, go now and come back, because once I've started I'm not stopping.)

Premise:

Megan hasn't spoken in months. Because there are things people don't know - things about the day when everything changed, the day she stopped talking.

But then Jasmine started at school. Beautiful, bright, bubbly, Jasmine... and for the first time in a long while, Megan might just want to talk again.

Best bits:

I loved that Megan's problems aren't simple.

Too often, depictions of mental health problems are put down to textbook examples, and left there.

The truth is that everyone's problems affect them differently, and that sometimes conditions combine to have a joint effect on someone's life.

I also liked Jasmine - I've seen a lot of criticism of her character, but I liked her. Yes, she's pretty idealised. But she's also not perfect.

And, honestly, the hope that there are people like her in the world - people who will accept you as you are - is not a bad thing. If you're a queer teen, and/or a teen with mental health problems, that hope might just be a lifeline.

I also thought the relationship between Megan and her mother was realistic and beautiful. They struggled a lot with how to relate to each other, but there's an amazing undercurrent of love between them.

And that part of Megan - written in bold, large, italics - which tells her she ruins everything, which she has to push past, push against, push through? Yes. I've been there. And it felt... real.

It's also exceptionally readable - the prose is skilled and involving throughout, and you really do want to know what happens.

There's just a lot of heart to this book, y'know? And that's great.

Not so great bits:

First things first, there's a lot of potentially distressing/difficult to deal with content, here:

• grief
• mental health problems
• low self-esteem
• anxiety
• implied OCD
• selective mutism
• bullying
• anonymous threats
• guilt
• violence
• arson
• animal cruelty/violence to animals
• attempted suicide
• homophobia
• ableism
• poverty
• physical abuse from a parent
• implied domestic abuse

There's also some swearing, drink-driving, and underage drinking (which you shouldn't do, in case you were wondering.)

I have problems with this book, nerdlets, both in terms of queer representation, and mental health representation.

Let's start with queer rep:

Megan, who is lesbian (although the word is never used, at least not as an identity rather than a slur, she has no attraction to men/boys,) goes on a date with a boy - Luke.

Now, it's entirely true that sometimes questioning lesbian teens go on dates with boys - BUT A NON-LESBIAN WOMAN WRITING THIS JUST FEELS FREAKING AWKWARD.

I don't know Abbie Rushton's orientation, but she mentions her male fiancée in the acknowledgements, so at the time of writing she didn't identify as lesbian.

The whole date felt a) forced and b) a gimmick - 'look! She's not attracted to him! Look at the lesbian!'

She also has Megan kiss Luke and enjoy it - again, if Rushton were lesbian and understood the issues at play here, then fine.

As it is? I don't think she understands enough to be writing these things in. #SorryNotSorry.

That whole plot-point just feels unnecessary and awkward.

Oh, and there's a male character who only exists for the homophobic bullies to pick on. We're not even told if he's actually queer, and we learn nothing about him as a person. #JustNo.

Now for the mental health rep.

This is disappointing, because there is good mental health rep here, but there's also poor mental health rep:

• Megan's implied OCD is never addressed - we don't know if this is something she had prior to the traumatic event or not, and it just peters out as the story goes on.

• [Luke's] mental health problems are both skirted over, and scapegoated. Everything's fine because we shoved [him] in a psych ward! The other crazy person did it! Not the 'good' crazy person. *Sighs*

• Her psychologist acts like a douche. I don't mean just pushes her to explore her problems. I mean he intentionally upsets her. And somehow acting that out of line is ok, and he's some kind of saint in comparison to her 'out of order' response. The message this sends is... troubling.

• Love cures mental health problems. Ugh. So sick of this. Love is not all you need guys, sorry.

• Selective mutism is rarely a result of traumatic events*, and certainly the way in which Megan's mutism descends at the event, fully formed, and stays more-or-less stable until Jasmine shows up...? I have a limited knowledge of mutism, but this seems reductive and unrealistic to me. Please correct me if I'm mistaken; like I said, my knowledge of this is limited.

• Sometimes the impression is given that Megan could speak if she wasn't trying to hide what actually happened. This isn't clear-cut, but is definitely something to keep an eye on. 👀

*where it is the result of traumatic events, it's usually a symptom of PTSD. PTSD is never mentioned in the book, and if this was the author's intent, then I don't feel it was put over clearly enough.

Verdict:

Do I know how to feel about this book now? Nope.

Look, part of me was just really connected to a queer girl with mental health problems... please don't judge me for that.

And parts of this were good. But the representation fell down on more than one front.

That's fine if everyone's going into this with eyes wide open... but there are so many misconceptions about mental health and being queer out there already, that it could do more harm than good.

Buy Now UK – Buy Now USA – Goodreads

  

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Month in Review(s) - December 2016

This wrap-up isn't late, it's fashionably detained. 😎

So, in another round of let's-help-2016-get-the-hell-out-of-here, I'm tying up some more leftover 2016 business.

December was OK, for me, anyway.

There was Christmas, and I love Christmas, so s'all good. Plus, we all said goodbye to 2016. Which up until it's very last days was a b**ch. (Don't do what your big sibling did, 2017 - you can be better!)

It was also the month when I decided to change things up on DORA a bit. In case you aren't aware: I'll be posting less from now on, but hopefully will be bringing you better content as a result.

And honestly, it'll be less - but not that much less. And you'll still probably see yours truly faffing about on social media etc. quite a damned bit!





I only wrote two reviews in December (shock! horror! 😲) what with Christmas and everything... so, here they are:

Graphic Novels

Rendez-Vous in Phoenix by Tony Sandoval

Red Sonja: The Falcon Throne

And that's another piece of 2016 done and dusted!

Review Time! (Graphic Novel Edition!) - Red Sonja: The Falcon Throne

Title: Red Sonja: The Falcon Throne

Author: Marguerite Bennett

Contributors: Aneke, Marguerite Sauvage

Genre: Graphic Novel, Fantasy, High Fantasy, LGBTQ+ (M/F; F/F)

Amazon: UK - USA

A few starting notes:

I received a free digital review copy of this book via NetGalley. NetGalley provides review copies from publishers in exchange for fair and honest reviews.

Ahhhh, Red Sonja - the She-Devil with a Sword.

We come once again, my nerdlets, to the opportunity to review a Red Sonja book (which apparently, as a woman, is beyond my expertise; but it turns out girls can review comics. #TrueStory.)

And to see that this Sonja story had Marguerite Bennett at the helm?

I hardly dared get my hopes up at the prospect of Sonja being given the book she deserved... but I think my fervent prayers to the feminist gods were at least somewhat answered.

Strap in guys, 'cos I got some stuff to say.

Premise:

Hyrkania's king is dying. Sonja believes the kingdom will be better off with someone who... well, basically, isn't her... in charge.

Instead of the She-Devil, someone else comes in to fill the power vacuum.

But will this new leader be a force for good? Or will the prejudices he stirs up become Hyrkania's shame?

Best bits:

WOW. Dudes, this was the Red Sonja book I've been waiting for.

Finally, Sonja is freed from the prospect of painful chainmail wedgies and having to make pathetic doe-eyes at Conan that make her fans (well, some of us,) want to barf.

Instead, we have a still-sexy she-warrior who gets to wear warmer (though still not especially protective) clothes into battle, and doesn't have to worry about rust in her most intimate areas!

(Does anyone else flinch at the idea of non-lined chainmail underwear? *shudder*)

The (in)famous chainmail bikini is the costume male creators and fans have chosen again and again for Sonja; essentially they want an overly-sexualised Barbarian Barbie.

But as Sonja makes very clear - NO-ONE owns her!

There's also a clear political message throughout this book - hatred against people who are different to you goes against everything that makes us human.

Sonja is revolted by the clear bigotry and outright racism that creeps into Hyrkania, and even more revolted by the support this bigotry has from the people.

Instead of a strong female leader, they have a douchebag bigoted dude. Kind of timely, don't you think?

Sonja's bisexuality is not ignored here: too often, Sonja's character is manipulated to erase her queer aspects - she becomes de facto straight in so many of her books.

But with Marguerite Bennett at the helm, we have a queer woman making sure Sonja is given her dues.

There are also people of colour (PoC) characters with agency, and complexity, and lives of their own.

Not so great bits:

Ok, so, my main problem with this book is that it comes dangerously close to White Saviour territory.

For those who don't know, the White Saviour trope is where a white person comes along and rescues the PoC characters - the implication being that they couldn't possibly rescue themselves, and need a white person to come and do it for them (which ofc is utter sh**.)

This trope reinforces the ugly idea of white superiority, and places PoC in a position where they are never the hero, only the victim.

Here, the PoC characters are pretty much doing things for themselves, but the final save-the-day business is achieved by Sonja - the white heroine and symbol of inspiration.

It all plays out a lot more complexly than just white-girl-saves-PoCs, but... I'm not saying this necessarily goes over the line, but we can certainly see the line from here, y'know?

And even seeing the line is worrying guys. I don't want to be anywhere near that line.

Parts of the plotting in general are... confused? Maybe? It just feels a bit hectic and out-of-control in places in terms of plot.

Maybe this is a side-effect of trying to make the plot twisty and action-filled, when really, all that was needed was to follow the characters' lead.

There's a bunch of gore and violence pretty much everywhere, swearing, and some non-explicit sexual content.

Verdict:

We verge uncomfortably close to white saviour territory here (*squints suspiciously at book*) and that's not cool.

Aside from that, though, this is the Sonja book her (true) fans have been waiting for - she kicks butt, looks sexy, but never betrays her character or her dignity.

Bennett's Sonja is strong. Bennett's Sonja is my Sonja, finally brought to the page.

This book is a major step-forward for the character. I just hope it can be built on and improved in the future.

Buy Now UK – Buy Now USA – Goodreads

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